Ever wondered about the origins of Roald Dahl’s iconic chocolate factory owner that’s been famously portrayed by Gene Wilder and Johnny Depp? Well, neither did I, but Timothee Chalamet absolutely gives a performance that lives up to those standards in an unnecessary yet whimsical family film. Though the story is as frustratingly familiar as it is cute, Paul King’s direction and a few musical numbers are the saving grace here. King brings the charm that made Paddington resonate with viewers and brings a wondrous British comedy element to the film, along with an optimistic and adventurous tone. Though only a few songs demand revisits, the musical numbers give the film a lively energy that would’ve felt contrived without them. Chalamet throws himself into the physical comedy of the character and also sings very well, and Calah Lane is a great breakout as a young orphan named Noodle who Wonka befriends. Olivia Colman is also delightfully wicked, and Jim Carter and Natasha Rothwell stand out as Wonka’s outcast friends. Keegan-Michael Key’s performance may not reach the heights of his more streamline comedic turns, and Hugh Grant’s turn as an Oompa Loompa is ruined by distracting CGI — the role was obviously there for the studio just to gloat about having the iconic race of mini-people in the film.

The film’s corrupt, mustache-twirling trio of businessmen villains are also entertaining and so unapologetically cheeky that one of them even vomits at the sound of the word “poor”, but for all its funny and charming moments and the outstanding costumes and production design, there’s also some unconvincing computer-generated set pieces and some overblown humor that may only be aimed for younger audiences. There’s also some plot elements that may feel too much like other kids’ films, even Paddington or another recent origin story Cruella bear lots of similarities in the story. As a film that’s right for the entire family and may even be good for rewatches for children in the holiday season, Wonka delivers, but it may be too silly for older audiences despite its endearing appeal and cast.