Based on a true friendship between Tony Lip, a working-class Italian-American bouncer, and Don Shirley, an African-American classical pianist. In the 1960’s, Lip becomes Shirley’s driver on a concert tour through the American South.
We have received a lot of movies in recent years that focus on race and segregation through true stories, and it’s nice to have one on a very small scale that only focuses on a friendship between two people but still carries its point across as effectively. Viggo Mortensen stands out as Tony Lip, a somewhat selfish character who has a heart but also acts however he ants and isn’t afraid to use violence on whoever he deems needs to learn a lesson. Mahershala Ali is also great, as he clearly spent lots of training to learn how to become such a great pianist like his character, but his role is also sophisticated and caring despite facing racism in such a time in the Deep South. The chemistry between the two makes the film so interesting; Mortensen’s character has a narrow view of those outside of his poor Italian neighborhood in New York but learns to become good friends with those he never though he’d meet and become a friendlier person. The contrast between the two is also excellent — not just between race but also between social class — Tony Lip has a more uncultured manner, also having grown up in a poor neighborhood, while Don Shirley is a very elegant and honest man, and this contrast makes scenes like the two sharing a bucket of fried chicken come off as very entertaining. Shirley is a character who seems like he’s in a higher class and given more opportunity to perform than other black artists at this time due to segregation, but even though he never sees himself as any lesser than the white audiences he performs to, he feels that he’s treated as “just another black man” to the moment he steps off stage, as he explains in a powerful monologue that’s definitely the best scene in the film. This breaking of stereotype, a wealthy black man teaching a poor white man life lessons like kindness (and he even helps him write poetic letters to his wife), but maintaining of realism makes the film even more thought-provoking, and the dynamic between the two main characters while delivering themes about interactions between race and social class in the ’60s makes the film a worthy watch, that I’m sure won’t be ignored in awards categories like Picture and Actor.
When a Wi-Fi router is plugged into the arcade, Wreck-It Ralph and his best friend Vanellope embark on a journey into the Internet to save Vanellope’s game Sugar Rush.
Wreck-It Ralph was released in 2012 and remains one of Disney’s most impressive animated films in recent years, but do people still want to see Ralph on the big screen again six years later? Well, according to the box-office response of this newly-released sequel, adults are still taking their children and having a great time with characters like Ralph and the idea of a video game character going on a virtual journey. Thankfully, it wasn’t too late for a Wreck-It Ralph 2 and even though not everyone was sold with the product-placement-heavy idea of the Internet as a setting when it was first announced, it comes off as entertaining and expands the world of its setting and characters. With Ralph Breaks the Internet, Disney adds a fun, well-animated, and at times touching family flick to their roster, even though it doesn’t reach the bar the first one set for this franchise. John C. Reilly and Sarah Silverman still fit very well in their main roles and even though Fix-It Felix and Sgt. Calhoun have roles demoted from the first film to very minor appearances, the new cast, especially Gal Gadot as a tough yet inspiring racer named Shank, is still impressive. The depiction of the Interent is creative and some of the references are fun, even though not all of them hit home and come off as trying too hard to feel relevant to the cringeworthy meme content of 2018. There’s a particular scene that’s been marketed in the trailers in which Vanellope goes to a Disney website where she meets Princesses, Stormtroopers, and other Marvel/Star Wars/Disney characters, and this could have easily been a simple declaration by Disney of how much they own. However, this scene turned out to be the highlight of the film, as it feels self-aware about cliches faced by the princesses and hits the mark with animation, humor, and eye-catching references. The humor will often make you laugh even though it does sometimes feel too childish, which is disappointing because usually Disney’s humor is more mature and can be enjoyed by both kids and adults, but that felt a tad less present here. The movie will touch some viewers with its profound themes of friendship — however, this arc for its lead characters only comes in around the final act, and before that it’s just a fun adventure with humor that doesn’t always achieve its goal. Lots of Disney’s films have a great message viewers of all ages can take away, and here it’s only present at the end and before that there isn’t a clear emotional arc to drive the characters. In the first film, Ralph embarked on a journey of self-discovery in which he made friends and learned that you don’t need a medal to be a villain. Here, despite the entertaining concept throughout, there isn’t that emotional core that drives the film the whole way like in the first movie. However, the animation, cast, and overall plot is pleasing enough for viewers and Disney fans to enjoy — just don’t expect it to be as meaningful and satisfying as the first one.
Adonis Creed, after winning the World Bodyweight Championship, is challenged to a boxing match by Viktor Drago, the son of Ivan Drago, who killed Adonis’ father Apollo Creed in the ring three decades earlier.
Creed was the Rocky spin-off that blew the world away like nobody expected, and this franchise continues its winning streak with an emotional and exciting sequel. Michael B. Jordan can deliver one hell of a punch, both in the sport but also with the emotion he brings to Adonis, trying to isolate himself from his father’s legacy but getting lost in the fight to preserve his own. This is Jordan’s defining character in his career at the moment, as he adds so much humanity to the role from his love for his fiancee to his relationship with his mentor Rocky. Jordan delivers the determination but also the love and pain of the character with energy and you’ll always be rooting for him. As for the rest of the cast, Rocky has been played with such iconic force by Sylvester Stallone for so many years that it’s hard to imagine these movies without him. He’s a great father figure to Creed but it’s hard to forget the times when he was the leading man of the saga because he still carries the films like he is. Tessa Thompson has been everywhere this past year — from Marvel to films like Annihilation and Sorry to Bother You — and deservedly so. Her character Bianca is not just there to support Creed but also helps guide his emotional journey through the film and pursues dreams of her own by singing, though her character deals with a hearing impairment. Bianca is a memorable character because she’s got a strong voice as well and often helps Creed pick himself up.
What I loved in this sequel is that everyone has a potent and believable emotional arc throughout the film. Even the “villains”, Ivan and Viktor Drago, are fighting rough because Ivan is determined to escape the shame he brought to his family when he lost to Rocky, by pushing his son very far to defeat Creed. The main character Adonis is also dealing with a lot, like starting a family while deciding whether or not he wants to be seen as “Apollo’s son” and if the fight to “rewrite history” is worth losing it all. Rocky also has his own journey, and not just when he’s guiding Adonis. He’s also mourning the loss of his wife Adrian and trying to reconnect with his estranged son and grandson, and become a family man again like the one Adonis is becoming throughout the film. The fight scenes are very engaging and the direction isn’t as memorable as Ryan Coogler’s who delivered sequences like the long-take fight in the first Creed movie, but he’ll still make you keep your eyes on the screen and embark on this journey with Michael B. Jordan’s titular character. There’s also an awesome training montage keeping the spirit of classic training sequences like from the older Rocky films. Even though the runtime flies by quite quick and it’s still got that boxing movie formula you know from the other films, Creed II is a passionate installment that stays true to the characters the first Creed movie made us love and will make audiences have a blast, sports fan or not.
After four thieves are killed during a heist gone wrong, their widows step up to finish the job.
Widows is a heist film that chooses to focus more on the serious aspect of the genre, similar to films like Michael Mann’s Heat. Instead of quick montages of prepping for the heist or focusing solely on the main heist, Widows is a film about grief, corruption, and injustices that relate to country-wide issues. Steve McQueen creates a frightening look at the corrupt and dangerous crime in modern Chicago, led by a stellar cast. It’s no surprise Viola Davis can bring an audience to feel invested in the film with her strong emotion and passion in every one of her characters. Veronica Rawlins, a woman willing to go far lengths to protect herself after suffering from a loss, is no exception. Also great are Elizabeth Debicki and Michelle Rodriguez as two other widows who join Davis to pull off the heist their husbands failed to. Another standout is Daniel Kaluuya as a menacing henchman for a gangster who will not think twice to use brutality in order to get what he wants. Other popular names headlining the film include Colin Farrell, Liam Neeson, and Robert Duvall, who are pleasing to watch even though some of the British actors’ American accents are questionable. Widows does not hold back on strong violence that not only feels brutal but scarily real, and excellent direction and cinematography that shines in many scenes. The script also has a strong focus on many different issues that could make you fear the world today even more — though it’s a heist film, there isn’t much action, rather violence because the intention of it isn’t to entertain but to provoke themes and often suspense. Even though it sometimes won’t subvert any expectations until the second half, some scenes will have your heart racing and the final act feels very unsafe for every character. I was never sure who would survive and who would die because Steve McQueen crafts a space where anything can happen. Unfortunately, there should have been more closure in the final few minutes for some important characters, but in the end, Widows is a mature crime drama that does not disappoint.
Based on the true story of Garrard Conley (named Jared Eamons in the film), who was forced to join a gay conversion therapy program after being outed to his parents. While there, Jared comes into conflict with its leader and begins his journey to finding his own voice and accepting his true self.
Boy Erased is the second directorial effort of Joel Edgerton, who also writes and stars in the film, and I’ve been a fan of his acting even before he took a seat behind the camera. He’s proven himself to not only have a grip on a script and cast but also convey a theme strongly through filmmaking. Lucas Hedges has impressed me very much these last few years, especially in Manchester by the Sea and Three Billboards Outside Ebbing, Missouri, but in the leading role he is once again able to shine as a young man who wants to be himself but his parents and peer’s beliefs come into conflict with who he is. Edgerton also stands out as the leader of the gay conversion program who also believes homosexuality is a sin and a choice, even though it is part of who somebody is. This head therapist acts as a source of passionate hate and demoralization for those who are at the therapy, even though back then some people thought this kind of therapy would “cure” people and make them heterosexual without considering what mental and emotional harm this would cause. Also remarkable are Nicole Kidman and Russell Crowe as Jared’s parents, who seemingly must choose between what they believe and their unconditional love for their son. The movie is tough to watch in some parts because of how unfortunate the situation was — members of the LGBT community were forced to believe something was wrong with them and that they had to be “fixed”, and that this kind of therapy is even still allowed in 36 states. I’m glad we live in a time where more people accept others for who they are and more LGBT men and women can live life as they please and feel comfortable with their identity, even though the world still isn’t perfect. This powerful execution is resonant yet imperfect — a more linear storytelling and some more on-screen emphasis on the protagonists’ emotional state would have made his arc hit home even more, but the final 20 minutes are especially fantastic and deliver every performance to its fullest, and its theme wonderfully.
Boy Erased has powerful themes and outstanding performances that will resonate, as well as an important message that is as relevant today as it was then.
Christmas is arriving in Whoville, and everyone can’t wait — except for The Grinch, who despises the holiday. Together with his trusty dog Max, he sets out to steal everyone’s Christmas gifts and end the beloved holiday once and for all.
The Grinch is an adaptation of a classic Dr. Seuss story many grew up reading and knowing, which was previously adapted by Ron Howard in 2000 — so was there really a point in this movie being made? We all know how the story goes and this movie offers nothing knew that the story benefits from with another adaptation. The plot is very by-the-books and the humor is aimed for children and children only. This film is marketed as a “reimagining” but no imagination is put into the script or themes that will make audiences discover something new. Kids will have a blast with the ridiculous humor, but as one who has seen tons of animated movies, every joke was predictable and felt recycled to me. Some scenes made only to extend a short children’s story to a 90-minute feature film are so laughable it’s hard to imagine film executives sitting in a pitch room planning those scenes out for a movie. The computer animation is dull and not very exciting compared to Disney’s animated films which bring so much energy into their animation. The ultimate theme of kindness will likely appeal to young ones and teach them a lesson — one that adults have seen many times already and don’t need repeated to them. Benedict Cumberbatch was a solid choice to play the Grinch, but it feels like a missed opportunity that they chose to use his American accent instead of letting him use his natural English accent that has worked as menacing and villanous in many films before. There’s also one other entertaining voice role, played by SNL cast member Kenan Thompson, but lots of the film also focuses on a young girl named Cindy Lou, and this subplot feels like the most bloated and tough-to-sit-through part of the film until the message of it only makes sense at the very end. The book this movie is based on is called How the Grinch Stole Christmas, but the actual stealing of Christmas which is the objective of the whole film is mostly skimmed past in a montage. There are also some very weird soundtrack choices like an awful rap version of the classic hit “You’re a Mean One, Mr. Grinch” from the original adaptation, and other oddly placed music like a song from The Sound of Music. I enjoyed the first two Despicable Me movies, but after that it looks like Illumination has lost their originality when it comes to animated films with films like Minions, Despicable Me 3 and Sing which all felt like wastes of time and effort, retreading the same ground and offering less of a family invitation and more of a “kids drag their parents to it” kind of films to make money. It seems like Disney and Pixar are the only animation studios that still deliver new and unique family films in my eyes, and the rest have given up.
The Grinch offers no originality or justification to be watched or even made, compromising itself to please young children more than families, and covers the same kind of humor and themes that too many animated films have already taken on. You may want to your kids if they’re interested when it comes out next week, and you may even enjoy it like my sneak preview audience mostly did, but don’t expect anything insightful or fresh. We may just have to wait until Ralph Breaks the Internet for the deserving family film of the season.
Bohemian Rhapsody brings the story of legendary music group Queen and their center star Freddie Mercury to the big screen. I’ve been a hug fan of Queen and their music for a while, and they have been my favorite music group with their classics such as the titular song being among the best songs of all time. My love for the band explains why I was so excited to watch this film, and I was not let down. Bohemian Rhapsody lives on the promise of a great depiction of the behind-the-scenes of the making of some of your favorite Queen songs, as well as digging into its lead singer who still remains a legend to this day. Rami Malek hasn’t been in many major film roles before but was the perfect choice to play Freddie — he disappears into the role in every moment in an unbelievable transformation which required Malek’s full effort. It feels as if every movement he makes and every word or scene he’s in was perfected to feel like the real Mercury. Also great are Gwylim Lee and Ben Hardy as the other founding members of Queen — whose real life counterparts were musical consultants on the film. Knowing and loving the songs and group that the film is about, audiences will be sure to want to catch this one and be enthralled by how the band came to be or what inspired their greatest hits. Though some that don’t enjoy their music as much will be more keen to notice the formula that a lot of biopics use (“anyone can achieve their dreams” “character pursues their dreams/argues with those close to him/makes amends with them and redeems themselves”) — the film won’t offer much new plot-wise especially if you know more about the real story, but that’s alright. There’s also a few aspects that would have been more entertaining to see in extended sequences rather than being shortened to montages, but the movie already clocks in at 135 minutes anyway. The vivid cinematography and editing kindly boast uproarious musical concert sequences, which are also so enjoyable because of the fact that the songs you love so much are being played to you on the big screen and you can’t help but want to sing along.
You may read many different things from critics, but mark my words — any fan of Queen and Mercury will have a blast watching Bohemian Rhapsody on the big screen. Others may notice the familiar plot structure or formula but one thing is for sure — Rami Malek will get serious buzz for his portrayal of Mercury, and watching your favorite songs being created and performed on screen is nothing but a wonderful time on the big screen.