After a crazy year with movies being released in streaming and hybrid formats, the Oscars have finally happened, this time in late April! In case you missed it but want to find out who won, here you go:
Best Picture: Nomadland Best Director: Chloe Zhao – Nomadland Best Actor: Anthony Hopkins – The Father Best Actress: Frances McDormand – Nomadland Best Supporting Actor: Daniel Kaluuya – Judas and the Black Messiah Best Supporting Actress: Youn Yuh-jung – Minari Best Original Screenplay: Promising Young Woman Best Adapted Screenplay: The Father Best Animated Feature: Soul Best Original Score: Soul Best Original Song: “Fight for You” (from Judas and the Black Messiah) Best Cinematography: Mank Best Film Editing: Sound of Metal Best Production Design: Mank Best Makeup and Hairstyling: Ma Rainey’s Black Bottom Best Costume Design: Ma Rainey’s Black Bottom Best Animated Short: If Anything Happens I Love You Best Visual Effects: Tenet Best Sound: Sound of Metal Best Foreign Language Film: Another Round (from Denmark) Best Documentary Feature: My Octopus Teacher Best Live-Action Short: Two Distant Strangers
I think for what they were given, the Oscars did a good job creating an interesting show with a more intimate space and less people than the Dolby Theater. There were a lot of great winners and milestones, including Chloe Zhao as the 1st woman of color to win Best Director and the 2nd woman to win the category. My favorite win of the night was Daniel Kaluuya who I’ve been a fan of since Get Out, and blew me away as Chairman Fred Hampton. However, I was susprised by the winners for Best Actor and Actress. The expected winners were Chadwick Boseman and Carey Mulligan who I was rooting for. Boseman delivered a magnificent final performance and not only was it my favorite lead performance, it would’ve been a terrific way to honor his legacy. Mulligan was also brilliant in the provocative and unforgettable Promising Young Woman, and I would’ve awarded her — it also wasn’t so long since Frances won in that category for the fantastic Three Billboards in 2017. McDormand has now won 3 times in that category, but won an additional time this year for producing Nomadland, a unique film experience that won the biggest award of the night! Another Round is an excellent Danish film and the director Thomas Vinterburg’s speech was the most moving of the night. However, I have to give a special shoutout to the award-winning short films — Two Distant Strangers (live-action) and If Anything Happens I Love You (animated) are available on Netflix and tackle grounded issues, but I should warn you that they are guaranteed heartbreaks and both took my breath away with their creativity and messages. My Octopus Teacher is also a wonderful documentary, and this comes from someone who normally isn’t into nature docs but this one really moved me, find it on Netflix too. Many of these terrific films that won are available on streaming services including Netflix, Amazon, HBOMax and Hulu, and I beg you not to sleep on them. Seeing new entertainment releases helped me get through this unusual time without theaters — which we’ll hopefully see the return of soon!
The culmination of the 4-film MonsterVerse franchise pits two of the greatest icons in motion picture history against one another – the fearsome Godzilla and the mighty Kong – with humanity caught in the balance.
This massively awaited film had plenty of promise, but ended up being a disappointment for me. What should’ve been a visually enthralling epic turned out to be a cartoonish WWE smackdown with sloppy direction and editing, and the worst writing in the franchise. The visual depth and feeling of actual destruction and danger from Godzilla: King of the Monsters is completely gone, and the visual style here is a lot less nuanced. While the storyboarding of this film must have been incredible, the CGI itself in some parts could have used some improvement to seem more seamless and epic, and a little less digital, which is odd because it had 2 years in post-production, less than its better-looking predecessor. Some cool visual moments are often ruined with silly editing choices like slo-mo and weird cuts, as well as some randomly placed rock songs that couldn’t have felt less fitting. The movie has a lighter tone than its predecessor, but unfortunately the messy editing and lackluster story aren’t willing to support that vision and maintain a style that consistently delivers.
It’s weird that a CGI giant gorilla has more emotional connection with the audience in this movie than the human characters, because that’s how I felt with Kong versus the humans in this film. And writing great characters has been a challenge for this saga before. Alexander Skarsgard is just there, and Rebecca Hall does well but her story wouldn’t have worked without her connection with this young deaf girl who communicates with Kong. Millie Bobby Brown and Julian Dennison are solid but their story is very uninteresting. Demian Bichir plays maybe the worst character in the entire franchise, who is incredibly bland and predictable from the moment he appears. Eiza Gonzalez’s character is also very generic. While Kyle Chandler was the lead in the last film, he gets nothing to do here — he didn’t need to be a large part again, but this just adds to the underwhelming nature of the cast of great actors in this film. The one cast member who was utilized well and perfectly cast was Brian Tyree Henry, who elevates his character’s so-so writing with great comedic relief and energy. The story itself that surrounds the human and monster characters is often frustratingly cliché, with big companies conspiring around these monsters with heroes with nonexistent character development and some laughable lines of dialogue. While this is supposed to be the biggest of the franchise, it’s ironically the shortest. At only 113 minutes, it suffers from a very rushed pace that never lets the film breathe and build atmosphere and adventure. It could’ve used another 15-30 minutes. The titular fights themselves are awesome, and the choreography when Godzilla and Kong fight is very memorable. However, by the time it gets really good it feels like too little, too late, and is also short-lived because of an underwhelming and predictable climax that goes for the least emotionally rewarding or daring conclusion possible. The end of the last film also set up the idea of monsters living among humans, but that’s completely tossed aside here for far inferior storylines that have been used in so many films before. There’s also no tension present, because although there are large, exciting monster fights, the spectacle isn’t treated with enough care to build a true epic, instead feeling like a rushed cartoon that doesn’t care much about all it has to offer besides the fighting. While it may entertain those simply looking for some fulfillment on the title, it’s sad how much more this could’ve been had the movie understood the full potential it held at hand.