Jack Malik is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, until a freak bus accident during a mysterious global blackout, after which Jack wakes up to discover that nobody except him can remember The Beatles. Soon Jack makes a life-altering decision that sends him to fame as he starts taking credit for the band’s forgotten songs.
Yesterday is a movie with a fantastically original premise, compared to the same recycled formulas in a lot of genres. Though it does sometimes get stuck in mediocre rom-com tropes, like a cheesy romance in the second act that doesn’t know where it’s going until the very end, this movie takes advantage of its genius idea and makes for a fun, humorous, and interesting two hours. Himesh Patel is not only fun and charming but also sings really well and was well-cast — he hasn’t been in much before but may soon make a name for himself after his starring role here — and also entertaining are Lily James as his best friend, and Ed Sheeran as himself — the singer who helps Jack skyrocket to stardom. However, one character I found to be annoying was his manager played by Kate McKinnon, whose comedic turns I usually enjoy on Saturday Night Live, but here her character was simply irritating and unlikable. It’s no surprise the music is so enjoyable — they chose the best band to make this movie about, and as a huge Beatles fan myself, it’s great to hear them all through the film, and luckily they cast a great actor who can sing as well. There’s also plenty of humorous moments I didn’t expect and the jokes almost always land. Like I said, the second half does lose a little bit of steam but once you see where it all ends up, you get to take in some of the themes the movie is going for. There’s also another sweet theme about how the most iconic of pop culture is what touches people’s hearts and should be kept alive. As one character says, “A world without the Beatles is a world infinitely worse.” So I have to applaud director Danny Boyle and writer Richard Curits for creating one of the most original films of the year that sometimes doesn’t avoid genre tropes but the fresh plotline makes for some truly great moments, and there’s also plenty of excellent musical moments as well. When everything that’s out has to do with killer toys, superheroes, and animated animals, why not try something new for a change and support this one-of-a-kind film I bet you won’t regret seeing in theaters.
After the events of Avengers: Endgame, Peter Parker goes on a school trip to Europe with his friends, only to be recruited by Nick Fury to take on the Spider-Man mantle once again and team up with interdimensional hero Mysterio to fight new threats known as the Elementals.
Spider-Man: Far From Home marks the beginning of a new chapter for the Marvel Cinematic Universe, and had a lot of expectations to fill consider it not only has to follow the grand phenomenon that was Endgame but also follow up on the story of Spider-Man: Homecoming and make a story that still feels new and exciting. Well not only does Spider-Man: Far From Home live up to the expectations for a good Homecoming sequel but it also introduces new concepts and unexpected turns even after 23 Marvel films, proving that they haven’t yet lost their steam. Tom Holland still carries the film wonderfully and continues to convince me that he’s the best Spider-Man yet. Peter is now trying to hold onto his youth and is afraid to accept new and bigger responsibilites after losing an important figure in his life. Peter must learn to mature and step up throughout the film which makes for a strong arc in the film. Also great is his chemistry with Zendaya, who is also really great in her role as MJ, who we didn’t see enough of in Homecoming but is a leading part here. Watching their connection blossom throughout the film is really sweet and was done well by the writers and actors. Also really fun parts of the film are Jacob Batalon as Peter’s hysterical best friend Ned, and Jon Favreau as Tony Stark’s assistant Happy who is still played with plenty of charm, and he and Peter once again have great scenes together.
What director Jon Watts is once again able to do with this sequel is maintain that “high school movie” tone with Peter facing issues like bullies, crushes, etc., but Watts also makes sure to bring us a high-stakes superhero movie with threats and responsibilites that Peter must face as Spider-Man. He keeps the tone light and adds plenty of humor as we’re used to seeing from Marvel, and keeps the signature Marvel hero, villain, and conflict tropes. However, one thing I was underwhelemed by was the visual look of the film. Marvel has always impressed me with the production design, cienamtography, and visuals in their films, espeically lately with the gorgeous Captain Marvel and Avengers movies, but here the movie feels very boringly shot and there is no color scheme or visual style that will keep your eyes in awe like the past Marvel movies this year have. The battles often feel well-realized but the green screen also sometimes doesn’t blend in and the design for the Elementals villains as well as the final battle are also less impressive visually. Also, the fact that Sony oversees these Spider-Man MCU films while Disney controls all the others leads to some questionable or unexplained references to the bigger universe, which are sometimes welcome but sometimes a bit much or raise unneeded questions rather than serve as world-building. While Homecoming had fun small appearances from Iron Man and Captain America, here some of the connections to the rest of the MCU feel like Sony trying to constantly remind the world that their property is part of Disney’s Marvel universe as well. Other than the obvious impact Infinity War and Endgame have on the main character, some of this world-building raises more questions than it needs to and possibly tampers with the consistency Disney has been keeping so smoothly through its MCU films. I feel like there were also some underdeveloped plot points throughout the film, and they could have extended the runtime by only 5 minutes to help establish these more, like we don’t see much of how the world is readjusting after Thanos’ actions shook the universe, and we also hear peoople repeadetly mention a large character from Endgame but I think we needed a bit more about how Peter is affected by that character’s loss. Also, the timing of the release was way too soon (only 2 months) after Endgame, which was the big conclusion to many years of MCU films — so why not wait a bit longer and let us take in the first big chapter instead of diving right into the next one? Hopefully this won’t undermine the effect of Endgame as a finale as time goes by, because both these films are still great on their own. What Spider-Man: Far From Home does best, however, is remind us why we love this incarnation of the character and why he resonates with audiences, as well as provide new challenges and growth for the character as well deliver on the tone of a film that has to feel large-scaled on small-sclaed at the same time.
Spider-Man: Far From Home is a satisfying sequel that ups the scale and stakes for Spidey with more locations and more cdhallenging foes than before, even though it’s visually dull compared to the other big Marvel movies this year, and the pacing could’ve been slightly improved. However, the performances, storyline, and humor all deliver as expected and there’s an awesome mid-credits scene that changes the game for the future of Spider-Man.
In this Men in Black spin-off, new agent M arrives at the MIB London headquarters and teams up with senior agent H to find a mole in the organization and stop an alien being from destroying all life on Earth.
The Men in Black movies have been very unique and enjoyable in the past, with moments that many generations can remember or quote — so it’s a shame this new installment is just pretty standard. It’s a movie we’ve seen god knows how many times — two agents/cops have to get along and fight bad a guy, but turns out it’s not who it seems. One golden aspect of the MIB films is the main duo, agents J and K, so they really needed to nail that without Will Smith and Tommy Lee Jones around. Chris Hemsworth and Tessa Thompson are the saving grace of the film and play off each other well, like they have in the past as a lovable duo in Thor: Ragnarok and Avengers: Endgame. Thompson especially delivers a great performance as the rookie agent discovering a huge world of extraterrestrial friends and foes. Kumail Nanjiani is also clearly having fun voicing an alien named Pawny, because… well, he’s a pawn. Get it? But the thing about cast members like Hemsworth and Liam Neeson are that they basically play the same types of characters we’ve already seen them play — give Agent H a magical axe and I would’ve certainly thought he was Thor. Some of the exposition gets uninteresting and the villain does nothing for the film, and barely any of the humor lands, whatever does was already shown in the trailer. Also, this is an action movie, and while the action here will keep most viewers in their seats, that’s just about the best compliment I can give it. I found the action to be dull and boring and it feels too much like the other films — or any action film, in that matter — to be praised, but most viewers will find it not bad enough to at least sit down in front of. The visuals are sometimes serviceable but there are even moments when the green screen and set design seem too obvious and stand out in a bad way. There’s also a huge plot twist in the final act that, well, I saw coming before the movie even began. The final battle is the most boring part and the ending is also very silly. I don’t know if they’re planning on making more of these films, but they should get new writers and directors, and also the original titular duo, on board to make it better.
Men in Black: International hits all the familiar notes, and you won’t really remember it after watching it. It has an enjoyable cast and some moments the general audience will enjoy if you’re looking for a light-hearted action film, but if that doesn’t necessarily mean a good film in your books, then you should just give it a go.
This uplifting sports comedy-drama follows WWE wrestler Paige and her real-life journey from holding small matches with her family in England to becoming a worldwide superstar.
Fighting with my Family not only retains some rare, real genius in its humor that all audiences will love, but also delivers a touching and exciting story that will keep you rooting for the characters from beginning to end. Though Paige’s story isn’t a “shocking” or “never seen before” one, the movie lets you forget that it at times has some familiar aspects by delivering a heartfelt script that won’t take you of the scene for a second. Florence Pugh perfectly embodies her character, who is passionate, tough, and isn’t always set on looking “pretty” but not afraid to fight rough, and Pugh really brings some soul to the role as well. Jack Lowden also delivers some great heart as her brother who has an important role in the story that will also make you legitimately care for him and the relationship between the two siblings. Nick Frost and Lena Headey are not only outrageously hilarious parents who love wrestling as much as their kids, and bigger are cast to get some bigger names out there, but they feel like truly loving and supportive parents, despite their outgoing personalities. That’s where the film’s true strength comes — even when the movie goes for monstrous laugh-out-loud moments, it never forgets to deliver some true heart and soul at the same time, which makes it a terrific theater experience in both the enjoyment aspect, and the actual quality the film delivers. Vince Vaughn, who is normally a comedic performer, is surprisingly in the serious role here, and he excellently takes on a coach who goes hard on his wrestlers because he clearly cares about their future in the sport, and also has some down-to-earth moments with the main roles. And wrestling legend Dwayne “The Rock” Johnson has some very memorable appearances that remind us why he is such an icon in both the wrestling and film industries, and its nice to see him go for a more inspirational role than just the badass running from explosions, even if his role in this film is minimal.
Fighting with my Family proves an excellent debut for Stephen Merchant behind the camera, who, like I said, perfectly balances humor with some authentic substance and strong writing that will make you fall in love with the characters. Even though you can tell how the climax will end, this movie will have you constantly laughing out loud but also cheering for the leading character of Paige thanks to some great performances and an ultimately uplifting and cheerful experience you won’t want to forget.
The citizens of Bricksburg face a dangerous new threat when LEGO DUPLO invaders from outer space start to wreck everything in their path. The battle to defeat the enemy and restore harmony to the LEGO universe takes Emmet, Lucy, Batman and the rest of their friends to faraway, unexplored worlds that test their courage and creativity.
Under the childlike playfulness and humor of a film based on a popular children’s toy line, there’s some heart to be found in this enjoyable and amusing sequel. Despite a concept that was ridiculous when first announced, these Lego movies have actually resonated with critics and audiences as well as at the box office. Though there’s more merit to be found in other animated franchises, the Lego film franchise remains not only a great way for the company to sell more toys, but a pleasing showcase of great cast members, colorful animation, and effective humor. Though sometimes the humor doesn’t hit its mark and feels only aimed towards kids, there’s also some jokes that only adults will get, like references to previous Batman movies (Lego Batman even compares himself to Michael Keaton and Christian Bale at one point), Die Hard, and even an appearance from a Lego version of Supreme Court Justice Ruth Bader Ginsburg. As outrageous as it may seem, this film, that’s literally a Lego movie, isn’t afraid to not take itself seriously at all (there’s even a song called “This Song’s Going to Get Stuck Inside Your Head” used to brainwash some characters), but that’s what makes it work. The studios hit the jackpot when they were able to cast Chris Pratt as Emmet because nobody fits the role better than him, but Pratt also plays a new role who’s a clear compilation of Pratt’s live action roles from Avengers and Jurassic World. Will Arnett as Lego Batman is once again another standout, but so are Tiffany Haddish and Stephanie Beatriz as Queen Watevra Wa’Nabi and General Sweet Mayhem, especially Haddish who sings and entertains in her over-the-top but memorable role. Though her character is at times ridiculous to look at, like I said, the film’s ability to go all out on referencing other materials and embrace the ridiculousness of it all is what makes it quite fun, and Haddish as well as every cast member make the best out of their roles (even cameo appearances like Bruce Willis and Jason Momoa who reprise their roles from Die Hard and Aquaman, respectively)
Despite the absurd concepts and non-serious premise, the film finds away to make meaning out of these plastic characters and touch the viewer’s heart by the end. though the first half is basically what you’d expect in terms of story and direction, the movie, especially the second half, connects everything to a bigger theme that applies to the real world — be yourself and let others do the same. This will make for a touching message for audiences of all ages. My one minor problem is — at the end of The Lego Batman Movie, Batman became much more open and decided not to push away those who were like family to him, but here it feels like he’s still trying to not fill that void of losing his parents — I didn’t expect them to go too deep about it, but it almost felt like they undid his development from that movie by having Batman still try to push away any personal relationships. Even though the overall story and script won’t blow you away, the humor and entertaining cast, songs, themes, and references are enough for kids and parents to have a fun time at the movies.
Miles Morales is juggling his life between being a high school student and being Spider-Man. However, when Wilson Fisk uses a collider to open a portal to new dimensions, Peter Parker, another Spider-Man from another dimension, accidentally winds up in Miles’ dimension, joining others from across the “Spider-Verse”.
This animated version of Spider-Man is brought to life with a less popular iteration of the character, Miles Morales, and is animated to look like a comic-book with many different editions of the Spider-Man character appearing, as well as many familiar villains. Though it starts about the same as any Spider-Man story, the second half presents some unexpected and mature character moments that are touching and make the final act of the movie exciting and rewarding. There are some humorous moments throughout, and a solid voice cast, including Jake Johnson, Hailee Steinfeld, Bryan Tyree Henry, and Mahershala Ali. The animation is often vibrant and colorful, even though some scenes and details feel very vague and dull graphically. Even though it did make me laugh a few times, some moments do feel cringeworthy or only there for fan service. The soundtrack was also poorly chosen and the awful rap songs distract from the strong point some scenes were trying to make. Even though I enjoyed seeing villains like Doc Ock and Green Goblin appear, I don’t approve of them turning Fisk from a compelling and unpredictable human being into a heartless, soulless antagonist who doesn’t stop before making evil decisions and has no moral compass like the superior portrayal of the character in the Netflix series Daredevil. It’s clearly a kid’s film, so I don’t expect them to make him an R-rated character, but I was hoping for enough layer to stay true to what I love about the character but also fit for a PG-rated movie. I really loved Hailee Steinfeld as Gwen Stacy, who I had no idea was also Spider-Woman before seeing this movie (and I’d easily watch a spin-off of her own should Sony choose to make one), and Spider-Ham is also an unexpectedly fun character. There’s also a terrific Stan Lee cameo and a touching tribute to the late legend during the credits. Even though the movie does teach kids that they can all be Spider-Man, we don’t need the line “Anyone can wear the mask” constantly repeated to understand that.
Kids and families will definitely have a good time with this new family-friendly version of the friendly neighborhood hero from New York. However, I personally felt that it’s only in the second half of the film where it really finds its heart and makes up for a predictable first half with some heartwarming moments, adding to its solid cast and characters as well as its unique style.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her friendship with the Queen threatens Sarah’s place in court.
Yorgos Lanthimos has already made a name for himself as a filmmaker with a distinct style and a cult favorite, though his style definitely won’t appeal to all audiences. I, for one, am a huge fan of his dark humor that feels fresh and different from any other films, as well as the pessimism and dark character relationships and themes he presents. The Favourite brings the dark humor he’s known for and will make some laugh and other cringe and feel awkward. However, these moments make for some of the phenomenal scenes in The Favourite, ones that you won’t forget because they dare to break the standards of what one would expect in a period piece, though those familiar with Lanthimos know what they’re in for. The Favourite is a beautiful looking film with the best costumes and sets of the year and inventive cinematography that changes camera distance mid-scene or even mid-action and breaks known filming rules such as the 180 rule. Another standout is the performances from three exceptional women. Olivia Colman is a queen who often appears less as a leader but a woman “stalked by tragedy”, who is often rude and feels sorry for herself but also seeks to care for those closest to her, or her “favourite”. Rachel Weisz is also great as a deceitful woman who is unlikable but also just wants to maintain her relationship with the Queen. Emma Stone was the standout to me, and this is up there with her Birdman and La La Land roles as she nails an English accent and plays the only character you really want to root for, though by the end, the film makes us wonder if anyone was really a good person here. By powerfully showing a rivalry between these women begging for love and favour from the Queen, Yorgos conveys the themes that people want to reach high status and just want to satisfy their immediate feelings and passion, but do these prizes really solve everything? The Favourite is never really a fun film but you will be intrigued by this main storyline, even though the style is not for everyone. At times it does slow down whenever it focuses on the Queen’s leadership and the Parliament, but the main strength comes from the spirit these actresses bring to the screen. The Favourite is a movie that needs a lot of reflecting on, with a final shot that’s as meaningful as it is puzzling and odd but brings so much layer to the film.
The Favourite is top-notch filmmaker Yorgos Lanthimos doing what he does best — bringing a unique style to the screen with spectacular prestige cinematography and strong, pessimistic themes anchored by three wonderful leading performances.