Tonight were the 92nd Oscars! Here are the winners in case you missed it:
Best Picture: Parasite Best Director: Bong Joon-Ho – Parasite Best Actor: Joaquin Phoenix – Joker Best Actress: Renee Zellweger – Judy Best Supporting Actor: Brad Pitt – Once Upon a Time in Hollywood Best Supporting Actress: Laura Dern – Marriage Story Best Original Screenplay: Parasite Best Adapted Screenplay: Jojo Rabbit Best Animated Feature: Toy Story 4 Best Original Score: Joker Best Original Song: “(I’m Gonna) Love Me Again” (from Rocketman) Best Cinematography: 1917 Best Film Editing: Ford v Ferrari Best Production Design: Once Upon a Time in Hollywood Best Makeup and Hairstyling: Bombshell Best Costume Design: Little Women Best Animated Short: Hair Love Best Visual Effects: 1917 Best Sound Editing: Ford v Ferrari Best Sound Mixing: 1917 Best Foreign Language Film: Parasite (from South Korea)
Overall, these Oscars were some of the best in years — I agree with almost all the winners, I’m just very disappointed that Sam Mendes lost Best Director despite making one of the best directed films in years with 1917. That was the category I was most enthusiastic for, but ultimately most let down by. He won every other directing award this season, like the Golden Globes, Critics’ Choice, BAFTAs, and Director’s Guild Awards, so it’s odd to me that the Academy thought differently than the majority of people in the industry as well as audience members. Parasite did make history though by becoming the first foreign language film to win Best Picture. It’s a deserving spot in history for an outstanding film. Joaquin Phoenix had the most moving speech of the night about unity and injustice, and won his first Oscar. Taika Waititi also won his first Oscar for Jojo Rabbit which I was very happy about. Little Women was the very safe choice to win Costume Design and Once Upon a Time in Hollywood was the only film this year with costumes that were actually memorable. Hildur Guðnadóttir became the first woman to win Best Original Score for composing Joker, making Thomas Newman lose his 14th Oscar for a superior score in 1917 that I thought should’ve won. Still though, history was made tonight.
After big studio pieces like King Arthur and Aladdin that didn’t quite feel like they belonged to him (although he did make quite a good Sherlock Holmes film with Robert Downey Jr., and The Man from U.N.C.L.E. was arguably fun as well), The Gentlemen is Guy Ritchie at his most untamed and… Guy Ritchie-like. He goes back to doing what he does best — making irreverent, unforgiving British crime with non-stop violence and cursing, playing around with narrative in creative ways and even referencing himself. He celebrates his creative freedom with this film to bring to life a violent, original, and entertaining crime flick that will be embraced by his fans as well as any audience member who’s willing to enjoy this great film for what it is. Matthew McConaughey’s character would be much less lovable in real life than his other roles yet is always a blast to watch, even when he’s a marijuana-obsessed crime lord. Charlie Hunnam is surprisingly the perfect choice to play the classic British crime protagonist in a Guy Ritchie movie and this is far better than his other film roles to date. Older audiences will definitely be attracted by the addition of Hugh Grant, who plays a much shadier role than his typical romantic lead but his continued partnership with Ritchie always works well. However, my favorite part of the cast was Colin Farrell, who is no stranger to this British crime noir subgenre, specifically In Bruges and Seven Psychopaths. These roles always fit Farrell like a shoe so seeing him as a mean but enjoyable criminal again is nothing but fun. The entire cast is strong, with the exception of Jeremy Strong who is awfully miscast as a role that’s supposed to come off as serious and intimidating yet ends up feeling dull and uninteresting in his performance.
From an eye-catching opening and an awesome opening credits sequence, you know The Gentlemen is something special among the action and comedy films Hollywood is used to releasing today. Ritchie definitely steps out of the box, playing around with narrative and characters, like showing you an event and then showing it again from different perspective to fool you as to what may have happened before. He also knows how to make his dialogue incredibly memorable and his characters intriguing, even when their backstories aren’t quite needed. It almost feels reminiscent not only of early Ritchie films like Snatch, but also of early Tarantino like Reservoir Dogs and Pulp Fiction. This movie’s first act can be slow, but once the plot and characters are set up, it all becomes very interesting and unpredictable. Ultimately, The Gentlemen feels like a refreshing reward that we only get every once in a while with a superb cast at their A-game and some truly unique filmmaking that makes for some laugh-out-loud, unapologetic nonstop entertainment — or as Hugh Grant’s character calls it, “beautiful, beautiful cinema!”.