
Better Man chronicles the rise, fall, and resurgence of popstar Robbie Williams, with a twist: Williams himself as depicted as a CGI monkey. This odd approach threatens to distract at times, and works better conceptually than in execution. However, this musical biopic rises among the crowd of forgettable tellings of famous musician’s lives through its vivacious musical sequences and booming soul. Williams, who narrates the film himself, doesn’t let himself off the hook, inviting us into genuine introspection of his ugliest parts: his insecurities, self-destructiveness, addiction, and depression. Michael Gracey’s direction puts everything in his last grand musical film The Greatest Showman to shame within minutes — the lively numbers, dynamic camerawork and choreography make the visual style bombastic while remaining intimate with Williams’ core as a man, not just his journey as a famous singer.
The effect the main character being a CGI chimpanzee has is occasionally jarring and even laughable at worst, but at best, creates an interesting visual experience compared to films with similar plots, and brings you into Williams’ imposter syndrome and self-perception. However, one can’t help but think the gimmick would’ve worked stronger if it had only lasted for one scene. Still, the film is such a breath of fresh air in that it tackles familiar points and themes from the genre on a far more up-close manner, such as feeling trapped by fame, or being numbed by addiction. Non-fans will want to learn much more about Robbie Williams’s story and learn more about his story. Fans will greatly enjoy Williams’s songs being elevated by such beautiful sequences and appreciate a bold and eccentric yet humble, emotional, and entertaining biopic.
