A Real Pain

A Real Pain beautifully balances the heartbreaking and hysterical through the dynamic of Jesse Eisenberg and Kieran Culkin as cousins David and Benji, who travel from New York to Poland together on a tour in memory of their deceased grandmother, a Polish Holocaust survivor. It’s about so many things, whether big or small. From a Jewish perspective, the film powerfully touches on complicated feelings of nationality towards countries in which one’s family lived but suffered horrific atrocities, as well as generational trauma. As someone who has embarked on this tour myself, the film captures not only the visceral nature of walking into places where such evil was committed eight decades ago (which both I and the characters here came to feel, wasn’t even that long ago), but the deep emotional connection towards one’s ancestors, community, and people it invokes.

From a personal perspective, the film is also very much about empathy — the idea of feeling others’ pain, and sadness, to better understand and connect with oneself. Kieran Culkin in particular brings such harsh complexity to his character. Benji is fascinated with human connection and constantly in pursuit of embracing living life with all his senses, but doesn’t always know how to feel, or express himself to others. Even when he pushes others away and embarrasses himself, the audiences can’t help but hold him close to their heart and feel deeply for him in every moment, because of his desire to grieve for his grandmother, and true yet misguided desire for the best. Eisenberg, in one of his most substantial and beautiful performances, wonderfully conveys David’s pull to and from Benji — his responsibility yet resentment towards the way Benji feels, which comes from a distance and envy from him, yet a dear love for him. Their bond is as moving as it is poignant, and even irreverent, and best of all, it’s easy to connect with them both as an audience member, despite how wildly different they are. Eisenberg’s script is devoted to his love for his Jewish heritage and culture, and exploration of the human condition that may even make you reflect on how you live your life. He and Culkin together make for a wonderful pair in a film that’ll take you on an emotional journey filled with weight and resonance.

Now You See Me 2

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In the sequel to the 2013 heist thriller hit, a good percentage of the Horsemen resurface for a comeback performance only to be threatened into pulling off a dangerous heist by tech prodigy Walter Mabry (Daniel Radcliffe). Their only hope is to perform one last stunt to clear their names and reveal the mastermind behind it all.

Now You See Me 2 sacrifices everything that made the first movie successful and entertaining to bring you a bloated, unimpressive, and ridiculous mess of a sequel. Jon M. Chu (director of G.I. Joe: Retaliation and other bad films) was one of the worst choices to direct this film. He turns the franchise from a heist chase thriller into an action caper, which really does not suit the films. The first movie’s original taste and fun is gone here. Jesse Eisenberg, Woody Harrelson, and Dave Franco are not as good as they were in the first film, although Mark Ruffalo still delivers almost as well. Replacing fourth Horseman Isla Fisher is Lizzy Caplan, who is surprisingly entertaining and without a doubt, the most fun part of the movie. However, none of the actors besides Caplan seem like they’re having fun with the film, even Ruffalo doesn’t feel like he’s always enjoying being there, even though he gives it his all. Daniel Radcliffe’s onscreen presence here was awful, with his character having an unclear motive and barely any point in the film. Michael Caine was also very dull, and Morgan Freeman’s return was way too unnecessary. The movie’s plot is not focused well, and is badly shot and edited, with every shot not feeling continuously edited well. Even the movie’s title feels very lousy and unimaginative (what’s wrong with a title like Now You See Me: Now You Don’t?) By the end of the movie, everything is so ridiculous, not to mention that there is way too much going on, and the right things are never explained. The third act was too complicated and tiring and nothing important went explained. Also, a lot of the movie was way too predictable because of how cheesy and cliche a lot of the plot points were. This film brings the franchise on a completely wrong track, to the point where a third film just wouldn’t work.

Now You See Me 2 is a disappointing and uninspired summer sequel with unfocused narrative and directing. There is just way too much going on for you to care, and nothing is explained well when explanation is needed. Most of the cast is not great, and the movie is lost within the wrong genre. If there’s a film you want to go watch on the big screen, you should not consider this one.

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