Marketing specialist Kelly Jones and launch director Cole Davis cross paths at the Kennedy Space Center and sell America the race to put a man on the moon. But things get truly complicated when NASA orders Jones to come up with a contingency plan to mankind’s greatest achievement.

Scarlett Johansson and Channing Tatum shine in this romantic star vehicle set in the backdrop of the space race, but the film flourishes most when focused on its playful interactions with history and period mood. Tatum is particularly strong as a character whose authority is thrown into messy situations, and Jim Rash is a hilarious standout as a director friend of Johansson’s character. Ray Romano also gives potentially his most delightful performance since The Big Sick as a NASA scientist who gets some of the film’s most touching dialogue. The $100 million budget also pays off as you feel the grand scale of NASA’s sites and activity, as well as the gravity (no pun intended) of this place and its happenings for the world and human possibility. Some scenes may fall into the shadow of First Man due to some of the same events being covered, but it’s not really fair to compare any film to that one technically. The film work’s best when embracing this ambition alongside it’s bright, comedic tone, and this energy creates an engaging watch, even when the film is low on substance — or the substance to the lead characters just isn’t that memorable. Still, Johansson and Tatum’s performances are enough to entice the audience and though the editing is a bit aggressive at times, and the film doesn’t leave you with as much food for that as it does toying around with history, it brings its 60s time period — and the wonder that came with NASA at the time — to life with enough flare to induce smiles, laughs, and a nice trip to the movies for all.