Guardians of the Galaxy Vol. 3

Years after defeating Thanos alongside the Avengers, the Guardians embark on an uncertain adventure to save one of their own from a monumental threat, meeting old and new friends and foes along the way.

It’s been almost a decade since James Gunn’s first Guardians changed the game for superhero movies — and so many copycats or inspirations have come to the mainstream since, or attempted to. But the camaraderie of the titular team has not gotten old, even if it’s their sixth overall appearance in the MCU, and likely their last. The goofy quirks of Gunn’s humor, poking fun at the mistfit-like attitudes of the characters, or his way of giving the outcasts a traumatic backstory and a chance to grow, breathe life and soul into nearly every frame of Vol. 3. It’s not necessarily the best of the three, but it is the most visually dynamic, with engaging settings and interesting close-ups or moving shots during the actions. Chris Pratt and Dave Bautista continue to deliver in the roles that have come to define their career and help shape their A-lister status, but it’s Karen Gillan and especially Pom Klementieff who get to really grow and steal the screen from them. Rocket is also given a heavy storyline that is as tear-jerking as it is revelatory for his character. Though Chukwudi Iwuji’s villain is very over-the-top, he’s also entertaining and works for the film’s purpose. However, the inclusion of Gamora’s alternate version from an Endgame timeline feels like the storyline that didn’t add too much to the film, and her original incarnation’s death in Infinity War still feels best left untouched as it hangs weirdly over her appearance here. Here, her character is more to serve Peter Quill’s arc or simply an excuse to have the awesome Zoë Saldaña around. However, Will Poulter’s presence is Adam Warlock suffer here despite the movie’s already long (yet breezy and earned) 150-minute runtime — though he’s built up as a threat to interact with the Guardians and make his own decisions, he’s left as a very basic side character who cracks a few jokes. The character deserved an awful lot better than he got, especially due to the great work Poulter does do with what he’s given, it’s just a shame his and Ayesha’s story set up from the post-credits scene of Vol. 2 gets the bare minimum payoff. In addition, a notable standout is Oscar nominee Maria Bakalova as the voice of Cosmo the Spacedog, a very entertaining critter who gets her deserved limelight.

The soundtrack in the last two films was dominant and diverse, practically its own character within the film and a driving force for Quill’s arc. The soundtrack in this movie definitely hits less hard and may have a few too similar songs, but it’s made up for with a few amazing needle drops that set the tone and immerse you in the moment. Most of all, the character’s dynamics are all so beautiful and the building of the action is the backbone of the film, rooted in the bond of this team that has strengthened and matured over a few films. Even if the first film is a beast that’s only rivaled by a few other Marvel movies for the title of the studio’s best film, Guardians of the Galaxy Vol. 3 has undeniable charm and is also one of the most emotional MCU films across all the phases. It’s one of their better post-Endgame works and a great big-screen watch for the visuals, heart, and cast of characters.

Everest

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Everest is the exhilarating true story of the 1996 Mount Everest disaster, in which a climbing expedition on Mt. Everest, led by Rob Hall (Jason Clarke) and Scott Fischer (Jake Gyllenhaal), was devastated by a severe storm.

After Gravity showed you the suffering of being in space, Everest demonstrates the horrors of being at the highest place in the world, at a cruising altitude of 747, in dazzling IMAX 3D. Everest is a visual spectacle, using barely any CGI or effects, and filmed beautifully, showing you the amazing but terrifying landscape of Mount Everest. Every shot is incredible and beautiful look at. I felt sucked into the movie’s setting when I saw it in IMAX 3D. The movie’s score is also very well done.

Jason Clarke, Josh Brolin, and John Hawkes all did an incredible job acting as terrified climbers who have something to come back home for. Jake Gyllenhaal is also very good in his role, but he’s only likable and decently written, not amazing. Emily Watson and Keira Knightley are also good, but Robin Wright is miscast and overacted. Sam Worthington has a decent small role, and Michael Kelly is solid, too.

Everest may seem like it’s only some amazing views, but that’s not it. Once you’re an hour through the film, a storm approaches, threatening the climbers that we have related with. At this point, all the terror and amazement increases as the climbers struggle to survive. There is so much suspense that my breath was taken away from me, and I was on the very edge of my seat. It is very hard to watch what these climbers went through, but the theater experience ultimately leaves you in awe.

Everest is ultimately able to convey the beauty and horrors of the titular mountain in such a touching, amazing, and terrifying way. It is realistic, intense, wonderfully shot and directed, well-acted, and an unforgettable way too kick off the Oscar season.

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