Jay Kelly

Noah Baumbach’s largest film in cast and scale isn’t his best work or even close, but certainly one of his most ambitious. George Clooney stars as the titular Hollywood actor seeking to reconcile with his daughters as he is about to be given a lifetime achievement honor in Europe. Jay’s relationship with his manager Ron is the film’s real heart here, with Adam Sandler not only stealing the entire film but giving one of the best performances of his entire career. Ron is torn between his devotion to his client and dear friend, and the heartache of missing out on time with his wife and kids. Sandler gives the character a dimensional charm, conflict, and vulnerability. Laura Dern is also outstanding as Jay’s publicist, also frustrated as she’s desperately trying to fulfill the impossible role of chasing Jay around and covering for him.

Many other familiar faces give very strong performances here, although Baumbach’s directing here stands out even more than his writing this time around. The film’s approach to memory and distance is very interesting, as is the idea of this “king” finally spending time with ordinary people who perceive him as a legend of sorts. However, the main storyline between Jay and his daughters doesn’t quite have the emotional weight that’s needed, with the themes being a bit too obvious and the film just lacking enough screen time with his youngest daughter to feel the way the movie wants us to about the main father-daughter relationship here. A performance moment and line delivery from Clooney in the film’s final moments, however, elevates the entire film and brings the themes full circle, even if it takes that long for them to really hit hard. Jay Kelly doesn’t live up to the excellence of Baumbach’s best storytelling like Marriage Story, but is still big yet introspective, with Clooney and Sandler standing out together, and the latter’s performance resonating in particular.

Barbie

Stereotypical Barbie (Margot Robbie) leaves the Barbie-run utopia of Barbie Land alongside Ken (Ryan Gosling) in search of self-discovery after realizing she might not be as perfect as she thought.

Director Greta Gerwig of Lady Bird and Little Women fame takes what could’ve been a tiringly formulaic fish-out-of-water toy-based film and makes it a clever and cheeky good time. For all its ridiculousness, there is an undeniable heart here and the cast seems to be having such a great time. Gosling in particular gets to show off his master skills as a comedic and physical performer and America Ferrera is an important character who’s inarguably the heart of the film. Aside from Robbie, Simu Liu, Kate McKinnon, Issa Rae, Kingsley Ben-Adir Alexandra Shipp, Emma Mackey and Will Ferrell are also as delightful as some of the performances are campy, though that’s definitely the point of the movie thematically. The bright colors and fun costume designs, as well as the spot-on soundtrack add to this film’s level of meta irreverence that’s only matched by The LEGO Movie, a movie that may draw comparisons, including the fact that Will Ferrell plays a character related to business in both. 

While this may be the most self-aware movie of all time and it leans into that quite well, it also packs some delightful surprises in its humor and themes that definitely weren’t written particularly with kids in mind. It’s so in touch with its audience, who may be especially tweens and teens, but may also be a great watch for mothers. The movie explores the idea of Barbie as having been a representation of womanhood and shows with honesty the complexity of the human condition and women as flawed individuals who are expected to always be at their best but that isn’t quite life, and that’s the beauty of it. It also unpacks some of the ridiculousness of social constructs such as gender stereotypes and the patriarchy in a way that occasionally hits you on the head but adds nuance to this film about Barbie dolls. Best of all, the jokes are great and so passionately delivered by the actors that like I said, the fun they must have had on set feels contagious to the audiences watching. 

Barbie may be obvious in its thematic delivery but also absurdly charming and witty, with an excellent message for young girls and an all-star cast that’s the best live-action movie about dolls we could’ve imagined.