After the events of Avengers: Endgame, Peter Parker goes on a school trip to Europe with his friends, only to be recruited by Nick Fury to take on the Spider-Man mantle once again and team up with interdimensional hero Mysterio to fight new threats known as the Elementals.

Spider-Man: Far From Home marks the beginning of a new chapter for the Marvel Cinematic Universe, and had a lot of expectations to fill consider it not only has to follow the grand phenomenon that was Endgame but also follow up on the story of Spider-Man: Homecoming and make a story that still feels new and exciting. Well not only does Spider-Man: Far From Home live up to the expectations for a good Homecoming sequel but it also introduces new concepts and unexpected turns even after 23 Marvel films, proving that they haven’t yet lost their steam. Tom Holland still carries the film wonderfully and continues to convince me that he’s the best Spider-Man yet. Peter is now trying to hold onto his youth and is afraid to accept new and bigger responsibilites after losing an important figure in his life. Peter must learn to mature and step up throughout the film which makes for a strong arc in the film. Also great is his chemistry with Zendaya, who is also really great in her role as MJ, who we didn’t see enough of in Homecoming but is a leading part here. Watching their connection blossom throughout the film is really sweet and was done well by the writers and actors. Also really fun parts of the film are Jacob Batalon as Peter’s hysterical best friend Ned, and Jon Favreau as Tony Stark’s assistant Happy who is still played with plenty of charm, and he and Peter once again have great scenes together.

What director Jon Watts is once again able to do with this sequel is maintain that “high school movie” tone with Peter facing issues like bullies, crushes, etc., but Watts also makes sure to bring us a high-stakes superhero movie with threats and responsibilites that Peter must face as Spider-Man. He keeps the tone light and adds plenty of humor as we’re used to seeing from Marvel, and keeps the signature Marvel hero, villain, and conflict tropes. However, one thing I was underwhelemed by was the visual look of the film. Marvel has always impressed me with the production design, cienamtography, and visuals in their films, espeically lately with the gorgeous Captain Marvel and Avengers movies, but here the movie feels very boringly shot and there is no color scheme or visual style that will keep your eyes in awe like the past Marvel movies this year have. The battles often feel well-realized but the green screen also sometimes doesn’t blend in and the design for the Elementals villains as well as the final battle are also less impressive visually. Also, the fact that Sony oversees these Spider-Man MCU films while Disney controls all the others leads to some questionable or unexplained references to the bigger universe, which are sometimes welcome but sometimes a bit much or raise unneeded questions rather than serve as world-building. While Homecoming had fun small appearances from Iron Man and Captain America, here some of the connections to the rest of the MCU feel like Sony trying to constantly remind the world that their property is part of Disney’s Marvel universe as well. Other than the obvious impact Infinity War and Endgame have on the main character, some of this world-building raises more questions than it needs to and possibly tampers with the consistency Disney has been keeping so smoothly through its MCU films. I feel like there were also some underdeveloped plot points throughout the film, and they could have extended the runtime by only 5 minutes to help establish these more, like we don’t see much of how the world is readjusting after Thanos’ actions shook the universe, and we also hear peoople repeadetly mention a large character from Endgame but I think we needed a bit more about how Peter is affected by that character’s loss. Also, the timing of the release was way too soon (only 2 months) after Endgame, which was the big conclusion to many years of MCU films — so why not wait a bit longer and let us take in the first big chapter instead of diving right into the next one? Hopefully this won’t undermine the effect of Endgame as a finale as time goes by, because both these films are still great on their own. What Spider-Man: Far From Home does best, however, is remind us why we love this incarnation of the character and why he resonates with audiences, as well as provide new challenges and growth for the character as well deliver on the tone of a film that has to feel large-scaled on small-sclaed at the same time.

Spider-Man: Far From Home is a satisfying sequel that ups the scale and stakes for Spidey with more locations and more cdhallenging foes than before, even though it’s visually dull compared to the other big Marvel movies this year, and the pacing could’ve been slightly improved. However, the performances, storyline, and humor all deliver as expected and there’s an awesome mid-credits scene that changes the game for the future of Spider-Man.