Lloyd Vogel is an investigative journalist who receives an assignment to profile Fred Rogers, aka Mr. Rogers. Fred’s empathy, kindness and decency soon chips away at Vogel’s jaded outlook on life, forcing him to reconcile with his painful past.
A Beautiful Day in the Neighborhood is one of those films every human should go see, not because it’s one of the most quintessential films — but because it’s one of the most moving and inspiring. Mr. Rogers’ words and messages shine to an audience in a world that now more than ever should remember the ways of this childhood television icon, who aspired not to be an icon to all, but rather a friend. The movie begins and ends like an episode out of Mr. Rogers’ Neighborhood, with Rogers, played wonderfully by Tom Hanks, singing his signature songs and introducing the protagonist, an excellent foil to Rogers who has a tragic past, leaving tension and anger inside of him towards his family. Rhys hits the right marks from emotion to the rude cynicism of his character, while Hanks captures Rogers’ calm and slow speech, and moreover, the strength and presence of an inspiration and a hero to so many viewers over multiple generations. Director Marielle Heller establishes a strong style after her mediocre Can You Ever Forgive Me? which was released last year and nobody seems to remember anymore. Yet here every scene seems integral to the feel of the film and not a single scene feels uninteresting. A Beautiful Day in the Neighborhood is a mix of heartwarming, impactful, and poignant yet hopeful about everyone’s capabilities as their own special individual. Rogers’ ideas of love, kindness, inclusivity, forgiveness, openness, and optimism translate perfectly to a big screen audience (that even kids could probably enjoy), that will be left moved, and probably clapping by the end, and certainly want to be Mr. Rogers’ neighbor, or even more so, aspire to be like him someday.