In Pixar’s latest film, Miguel, a young boy who loves music despite his family’s ban on it, accidentally arrives at the Land of the Dead and must seek the blessing a family member in order to return home. The plot is a lot more complicated but that’s the easiest way to describe it without getting into any spoilers. The cast includes well-known Latino actors such as Gael Garcia Bernal and Benjamin Bratt, who are both fantastic in their roles, but I was also very impressed by the voice work of newcomer Anthony Gonzalez, who plays the lead role of Miguel with lots of charm. Coco may seem to some like a rip-off The Book of Life, a great animated film released a few years ago which also focuses on a young man with a love for music despite his family’s ban on it, who ends up in the Land of the Dead on a journey of self-discovery, but that is the only comparison the two movies share. Coco is much more beautifully animated, vivid with story and characters, and sure to make you shed a few tears by the end, a profession in which Pixar excels at.
When this movie first started, I was enjoying the nice animation and sweet heart its characters and writing had to offer, but I felt like I could tell where the plot was going to go and how everything would end up. However, the movie twists in a direction I did not expect, and becomes an even more complex family film with its themes about family, dreams, and legacy. The songs by Robert Lopez and Kristen Anderson-Lopez, the husband-wife duo who won Oscars for writing the songs for Frozen, are very good and entertaining as well. What I liked is that the songs don’t serve a huge part in the film but they are still there and blend well with the Mexican culture of the film. By the end of the film, many young ones will likely cry as they did in previous films of Pixar, because the poignant themes are both happy and sad in this film, and work effectively in both ways. Pixar’s movies always looks magnificent in terms of the animation, and often millions of people work hours to months to get even a single frame (and that’s one per 24 in a second) to look nice. As I was told when I visited their studio 7 years ago, each film of theirs takes 5 years to make, and the effort each member of the studio gives in always pays off, and not only are the visuals majestic, but the storylines are unexpected, sweet, funny, and tear-jerking as well. Pixar has been in the filmmaking business for over 20 years now, and they even started the computer-animation movie-making genre with Toy Story. I grew up watching many of their films over and over again, and lots of their films shaped they way I watch and appreciate movies today. Without them, my love of movies and reviewing them may have not been the same. Some may believe Pixar has lost some of their steam and that their golden age is behind them, but I think they are still on their feet and are making stories as wonderful, family-friendly, and touching as they were when I was first introduced to their films many years ago.
Coco isn’t just a gorgeously looking animated film and tribute to Mexican culture, but it’s also Pixar’s most original and moving film since Inside Out. It’ll make you laugh, it’ll make you cry, and best of all, people of all ages can enjoy it. Parents will definitely want watch it over and over again with their families, and kids will want to watch it again through their childhood and eventually show it to future generations of their family. In a world where animated movies is a genre that is dying out, it’s a miracle Pixar is there to save it, and have their movies inspire families and become classics for the family genre instantly. Bottomline — go watch Coco with your family and have a blast!
Now I’m going to talk about the one problem I had about the movie, and it’s not even about the movie itself, yet it’s the worst decision Pixar has ever made by far. Before the movie, an awful, and I mean awful short film titled Olaf’s Frozen Adventure screens, and although I like the actual Frozen movie, this short film (which is a long 20 minutes as opposed to the usual 7 minutes of Pixar short films) is unbearable to sit through, with an absolutely terrible storyline and soundtrack, and even the cast’s singing is off this time for some weird reason. Disney decided to cram 6 songs in 20 minutes and pay Pixar to screen such an awful waste of time in front of a fantastic movie, which is a shame. So if you’re late to the movie, don’t worry too much about it because you won’t miss anything amazing. Otherwise, Coco is still a wonderful experience to watch with your family and nonetheless a great film that I had a blast with, regardless of the terrible short film that comes before.