Three Billboards Outside Ebbing, Missouri

ratings5

Three Billboards Outside Ebbing, Missouri follows Mildred Hayes (Frances McDormand), who puts up three billboards to raise awareness about the brutal murder of her daughter after the police have failed to catch the killer after many months. I’ve seen previous films from the director, Irish playwright Martin McDonagh, so I was aware of the talent he has with directing and writing. Both his films, In Bruges and Seven Psychopaths, were not only directed well but were extremely entertaining and hilarious. I’m happy to say that this film is the best out of his three, because not only does he keep his terrific comedic style, but he blends it with some powerful emotion and relevant themes to make one of the year’s finest films. McDormand is mesmerizing in the lead, because despite lots of her lines being mostly for humorous effect, her delivery of the lines is as great as it can be, and we feel her character’s rage and anger at the world after her loss and at the police for not finding her daughter’s killer. The Ebbing police is led by Chief Willoughby, played by Woody Harrelson, who is singled out by the billboards and is angered by this yet feels sympathetic for Mildred’s cause. His role isn’t as large as McDormand’s but Harrelson still brings the best out of his character for another memorable performance among his impressive resume. Another highlight of the superb cast is Sam Rockwell, who has worked before with McDonagh, and here he brings lots of fun to his character but also plenty of feeling for the audience to connect with. Also worth mentioning is Lucas Hedges as Mildred’s son, and this is definitely Hedges’ best work since his brilliant turn in Manchester by the Sea, as we feel a grieving brother who is looking out for his mother while also under her wing. The cast is definitely one of the best of the year, but that’s not the only part that makes this movie a must-watch.

It’s quite surprising when movies are able to make you laugh throughout but also make you get very emotional and attached to the plot and characters at the same time. We saw this with Manchester by the Sea last year, which had many humorous moments throughout and was even marketed as a comedy, but turned out to be an extremely depressing drama and last year’s most emotionally gripping film. This is a similar situation, but there’s so much humor that McDonagh carries down from his style in his other films that you can even call it a dark comedy of sorts as well. It’s shocking that McDonagh was able to fit so much comedy in this kind of movie, even though the trailer made it look only comedic. Whenever the humor is there, it’s absolutely hilarious, and every joke hit its mark. The trailer gives you a good taste of some of the best humorous moments but a lot of it is for you to see. However, McDonagh understands when we need to feel for these characters, and through this humorous style we get a great taste of who they are and some parts are definitely sad for these people. The themes about anger and hate elevate the story, and there are relevant storylines about the police today, and how the victims of crimes such as the one that triggers the plot of this film react to such loss. It’s almost satirical about the relationship between people and authority, or even just people and other people. When the plot first unravels, you are never told anything too quickly and we get we need to hear bit by bit. The script uses the show, not tell method very well to the story’s advantage, with great directing and scenery used to bring forward the plot and character arcs too. The characters written here have such personality and are so noteworthy that they even reach the heights of what the Coen brothers have been able to do with their characters. You’ll be guaranteed to laugh at the outrageous and brilliant humor but also reflect on what these people are going through and the realistic messages we get. It’s not a film about investigating the crime but rather about how people react to such a crime. The ending may be unsatisfactory to some, but I really liked the meaning behind it that McDonagh was going for. This film will make you laugh, smile, or even cry, but one thing is for sure — you’ll definitely be affected by this film but still enjoy the hell out of it at the same time.

Three Billboards Outside Ebbing, Missouri is one of the year’s most genius films about grief, loss, crime, hate and anger. The over-the-top humor makes this possibly the funniest movie I’ve seen all year but the strong emotion and messages make it the most emotional film to come out in a long time, and also one of the most thoughtful. The cast bring their characters to life wonderfully, and I’m glad to say that Martin McDonagh has found his masterpiece. My definitive pick to win the Best Original Screenplay Oscar, and hopefully it will get nominated for the other awards too, or even win. The lengthy title may make some people stay away from it, but don’t be fooled, it’s a powerful and applaudable must-watch for all that you can also enjoy and laugh with throughout.

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