Venom

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Eddie Brock is a journalist going after insane corporate head Carlton Drake, only to get infused with the same threat he fears — a symbiote that calls itself Venom and lives inside of Brock. The two beings band together and must now take down a master evil plan before it’s too late.

Venom seemed like what could have been a dark antihero/villain story that would take a risk and maybe give Sony’s Marvel property a little hope, and with the cast and director, it seemed likely at first. However, what Venom ends up doing is turning its story into a cartoonish and predictable superhero story that has no hints of the darkness that makes its character a memorable fright in the source material. Even with the light tone and pace, the great actors all deliver unimpressive performances and the writing is nothing that hasn’t been done before. There is nothing unique about Eddie Brock that is brought to the table — Tom Hardy probably has much better projects ahead of him that maybe he’ll even enjoy doing next time. Michelle Williams also seems like she’d rather be anywhere else, and the chemistry between her and Hardy feels flat. Riz Ahmed’s villainous character’s writing is so annoying that at times it gets painful, especially after he meets a symbiote of his own. Hardy and Williams are two of the generation’s most promising performers — and I expect good things from Ahmed as well — but the poor dialogue for them and lack of unique personality for any of the characters is what makes them forgettable. The action sequences are very poorly shot, with too many cuts and unclear angling during what could have been cool moments for the audience to connect to the hero — like Marvel has achieved with its MCU heroes and even with other Sony properties like Spider-Man. The connection between Brock and Venom doesn’t feel believable either and way too rushed, and at times the film tries to be funny but often crosses the line to cringe-worthy. The visual effects look horrendous and don’t blend into the rest of the shots — the final battle between two symbiotes was the worst superhero movie fight I’ve seen in a long time.

Venom delivers some scenes that could entertain or frustrate action lovers — and either excite or underwhelm comic book fans. It doesn’t tie much into the Spider-Man universe despite a few post-credit nods that I won’t spoil, and other than that, the character of Brock/Venom isn’t given the big screen justice he deserves and the way Venom is treated as a superhero feels way too rushed. The development doesn’t feel complete, the script plays it too light and safe, and the plot is so predictable one could have guessed the ending as soon as the film started. The lackluster writing and unsatisfactory action compromises something new for the same old formula that was still used three Spider-Man actors ago. Venom is supposed to be a much more dark character but instead the titular symbiote often feels like a joke to the rest of the film. Perhaps this film could’ve benefited from an R-rating to fully realize the grittiness of the character and allow the director to make something unique — what’s the point of hearing Venom talking about eating people’s heads when we hardly get the satisfaction of seeing it? It doesn’t feel like the director had much of a say in the creative execution of the film (not that there’s much creativity in the film anyway), and it’s simply Sony looking for a way to say that they’re still trying to launch their own universe when there is  Venom doesn’t go for any strong character arcs, visual feelings, story nods, or any reason for us to care. Marvel fans may want to give this one a try, but maybe this movie is best left outside the world of Thanos and the Avengers — and not on the must-watch list of die-hard movie lovers.

Venom poster.jpg

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