Tag Archives: movies

10.22.15
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The Walk

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The Walk tells the fascinating true story of French acrobat Philippe Petit, who in 1974 hung a wire between the Twin Towers of the World Trade Center and walked on it.

Since after Forrest Gump, my favorite drama movie, was released and stole the Oscars that year, not many of Robert Zemeckis’ films have been appreciated and recognized as being his (with exceptions like Cast Away and Flight). The Walk is hopefully a return for him. A visual spectacle with a fascinating topic, The Walk delivers a fantastic storyline, lots told through constant narration from an extraordinary protagonist (like in Forrest Gump). Joseph Gordon-Levitt delivers his best performance yet as the daring French artist, nailing a French accent and perfectly capturing the heart and soul of Petit. He captures every single emotion of the character terrifically and really transforms into the role. Knowing the movie is a true story makes you think more about the movie and the person Petit is. The supporting actors including Ben Kingsley are also great, but the spotlight always seems to be pointed on Gordon-Levitt, never pulling our interest away from him, but we are often wishing a few characters were a bit more developed.

The score by Alan Silvestri, who has frequently collaborated with Zemeckis on features like Back to the Future and Forrest Gump, is once again a wonderful score, brilliant, beautiful in many aspects, and soothing to listen to. The visual effects are, of course, flawless, and absolutely amazing to look at, with the Twin Towers being shown with amazing CGI, and although some details are obviously CGI, they are still very well done, which is a great accomplishment because obvious CGI is often irritating in modern cinema. Robert Zemeckis is a master of visual effects, having perfected them in every movie he has directed. Although the film ended up focusing more on the plot than the visual beauty, it still gives enough times for the visuals to shine. The plot is always sweet, heartfelt, and has entertaining narration from Gordon-Levitt’s Petit. It focuses on Petit’s life, love, associates, and especially his daring dream and soul. It is able to entertain, touch our hearts, and bring the setting to life, while being able to avoid overused biopic cliches such as closing title cards.

The climax of the film, in which Petit finally walks the wire, is the most well-put together, compelling movie scene of the year. With such thrills and 3D effects, you are pulled from your seat to the wire with Petit. In that final 20 minutes, you can feel your heart pounding as you watch this incredible moment in history brought to life in front of you.

The Walk is entertaining, touching, visually incredible, fantastically directed and acted, and easily one of the best films of the year, and one greatest 3D experiences of the decade, following the footsteps of Gravity and Hugo.

The Walk (2015 film) poster.jpg

09.19.15
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Maze Runner: The Scorch Trials

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Thomas and his fellows Gladers have escaped the Maze, but they’re adventures weren’t over. They must now face a new set of challenges as they uncover the past of their desolate world.

Maze Runner: The Scorch Trials is the latest addition to the YA dystopian sci-fi genre, which includes films such as The Hunger Games, Ender’s Game, and Divergent. As the sequel to last year’s awesome action flick The Maze Runner, I expected a lot more from this film. One thing you should keep in mind is that I don’t care how differnet this film is from its book. I am reviewing this movie as a film, not a film adaptation. Anyway, this movie starts out completely rushed and would confuse anyone who hasn’t seen the first movie. Unlike the first film, none of the characters are able to deliver any emotion. Nothing is conveyed well or impacts the movie positively. Many characters are brought into the series too quickly and with barely any exposition, a lot of which is needed but lacked. The cast is mostly solid, but lots of the cast is barely needed. The action is decent and often fun, but it usually feels like a zombie movie when it has action, since most of the human race has been infected by a spreading disease from a solar flare. It eventually becomes messy with all the unnecessary twists and turns. The movie’s dialogue never completely knows where it’s going, and feels very cliche and tiring. By the film’s end, it’s completely frustrating and senseless, and leaving audiences not wanting to tune in for Part 3.

Overall, Maze Runner: The Scorch Trials is a complete downfall for its series. Lacking dramatization and originality, The Scorch Trials is ultimately not worth a ticket – or a sequel.

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07.31.15
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Mission: Impossible – Rogue Nation

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When the IMF is targeted by the Syndicate – a rogue organization committed to destroying the IMF, Ethan Hunt (Tom Cruise) reassembles his team (and is joined by a female assassin) to protect their organization, and their world as they know it.

When Tom Cruise is in an entertaining action film, what can go wrong? The series continues with tons of action, humor, and great cast members, and the franchise keeps getting better, film by film. Director Christopher McQuarrie, despite doing an awful job with Jack Reacher, brings the action and fun to life wonderfully. The action scenes are incredibly entertaining, and keeps you on the edge of your seat. Like I said before, Tom Cruise can never mess up an action movie. He does amazing stunts in all of his films, and is in great shape, despite already being 53. Simon Pegg is always great comic relief, and I loved watching him on screen as much as I did in the previous movies. Jeremy Renner also reprises his role from Ghost Protocol and does a very good, as well as Ving Rhames, another returning cast member. Rebecca Ferguson’s character, however, could have been written better, and could have been incorporated better into the script, including her dialogue, but she does know how to kick ass well. The movie’s villain is also done well, more believable than the one from Ghost Protocol, but still doesn’t beat Phillip Seymour Hoffman’s antagonist from Mission: Impossible 3.

The story and narrative in the film are very good, going straight into the action and bringing you right into the fun. There are a few obvious references to the other films (and the TV series they’re based on). Of course, by the end of the movie, I was blown away (I saw the movie on a huge IMAX screen in London, and the immense viewing and sound added to the film’s awesome experience), and hopeful about the potential it has for future films.

Overall, Mission: Impossible – Rogue Nation is a great and possibly the best installment in its beloved series. It is incredibly entertaining, well-acted, and well-directed. It lived up to all my expectations, and I can’t wait to see what happens next with the series.

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07.23.15
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Paper Towns

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Quentin “Q” Jacobsen lives next door to Margo Roth Spiegelman, his childhood friend from whom he has since drifted, but still has feelings for. One night, when she climbs through his window and summons him on an all-night road trip of revenge, he cannot help but follow her lead. The next day, however, Margo doesn’t come to school, and after a few days it becomes apparent she’s missing. Q soon learns that there are clues in her disappearance that seem to be meant for him to make sense of. But as he gets deeper into the mystery and discovers more about the person Margo actually is, he becomes less sure of who and what he’s looking for.

As a big fan of the book, and one of the people who was impressed by last year’s The Fault in our Stars, I had high hopes for this movie. Although it falls slightly short of what I expected, it’s still very charming, funny, touching, and often entertaining. There are a few changes made from the book, but none that bothered me or affected the story’s quality. Nat Wolff does a great job playing a funny, likable and realistic teenager, portrayed very well. However, Cara Delevingne steals the show as the fascinating Margo, beautiful and perfectly casted. The rest of the cast also do a great job. The teenage protagonists are all very charming, funny, and are portrayed in a very realistic way, in the aspect that they are all facing normal teenage emotions and maturing in a believable but very interesting way. Paper Towns is able to not only entertain and make audiences smile, but also conveys a coming-of-age message, ultimately. It teaches about friendship, desperation, and ultimately understanding what life is about. In addition to this nice story, the soundtrack is well-composed and great to listen to, like The Fault in our Stars‘ soundtrack.

Like I said before, Paper Towns was a slight disappointment. The main problem is that it is way too short. It not only feels rushed, but doesn’t take the time to explain important points of the story, like Q’s relationship with his parents (who only get five seconds of screen time), the bonding between the teenagers the film focuses on, and many people getting involved in Margo’s mysterious disappearance, which were all very important in the book. The movie should have taken at least 20 more minutes to convince us that the protagonists’ mission is worthwhile, and about their entire personality. They weren’t the changes in the book that brought the film down a little, but the pacing and uneven narrative the film has.

Like many teenage movies, Paper Towns is very funny, charming, and well-written, but doesn’t completely have the aim for the main characters that I was searching for. But I would recommend the film for any fans of the book or the film’s genre.

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07.05.15
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Minions

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Minions tells the origin story of the hilarious, adorable, lovable yellow creatures from the Despicable Me movies. They have existed since the beginning of time (starting as single-celled yellow organisms living underwater), eventually evolving and serving villains for ages (accidentally killing every one, however). The soon isolate themselves and build a new society, but feel meaningless and depressed by 1968. Three brave Minions, going by the names Stuart, Kevin, and Bob, decide to go on a journey in order to find a new master. They find themselves in Villain-Con in Orlando, and soon end up working for female super-villain Scarlet Overkill (voiced by Sandra Bullock), who has the most menacing heist planned.

As a fan of the Minions and the Despicable Me franchise, I found Minions to be a big disappointment. Obviously, the Minions are still hilarious and lovable, and never failed to crack me up. I loved the references to popular ’60s music (don’t worry, The Beatles are in there), and the soundtrack of ’60s hits rocked. Their origin (leading up to the main plot in 1968) was set up very well and crafted in a great way, with good narration and great humor. After that, the plot starts to gradually fall out of place, and by the end, its incredibly predictable. There are a few plot points that aren’t quite clear, and a few points that don’t deliver. The ending is a good set-up to Despicable Me and further, but is incredibly predictable, with tons of cliches being thrown into the screenplay. The final 20 minutes of the film simply recycle events from the final battle of Despicable Me 2, and I really didn’t enjoy it. Despite Inside Out being a great original hit, almost all family movies nowadays recycle the same ideas that have been used forever, and unfortunately, this movie is an example. Despite the humor being great, I was let down by the story and originality of the movie. I also felt that the pacing was very uneven. The movie is about an hour and a half, but feels more like an hour, and is very rushed after the first 20 minutes.

Overall, Minions is a huge disappointment, with uneven pacing and a bland plot that lacks the originality of its predecessors. However, its one redeeming factor is its awesome humor (enough to earn it a decent rating), which the franchise holds onto, and hopefully still will in the future, as well as polishing up the flaws from this film.

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06.28.15
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Inside Out

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Growing up can be a bumpy road, and it’s no exception for 11-year-old Riley, whose family must relocate to San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust, and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, the emotions conflict on how best to navigate a new city, house and school.

Just like every Pixar movie, Inside Out is a very original treat that both children and adults would enjoy. Its depiction of the brain and what happens inside it is brilliant, and it all ties up with scientific accuracy. The animation is beautiful, from depicting real-life issues to situations in the brain. The cast are all stunning, especially a joyful Amy Poehler as the lead (the only positive emotion of the five), a perfectly casted furious Lewis Black, and a sweet, tearful Phyllis Smith. All the stars are able to carry the movie along in such an excellent way, I never wanted to turn my eyes off their characters. Inside Out is less of a fantasy or science fiction movie than most recent animated movies, and I love how realistic the writers made this movie. Director Pete Docter definitely put in a lot of hard work into this movie, and it sure does pay off (considering that he took inspiration from the movie from his preteen daughter’s behavior, and that he also directed Monsters, Inc. and Up) Unlike Pixar’s last three films, Inside Out is more of a mature drama than a family comedy. I am very glad Pixar is aiming this direction once again, and that by next year, it will be as successful as it was 10 years ago.

Overall, Inside Out is brilliant, hilarious, touching, and definitely brings Pixar back in its game – bringing Joy to us all.

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05.25.15
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Mad Max: Fury Road

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In the stark desert wasteland populated by a broken humanity driven with survival and the unending ravage for gasoline, a loner named Max Rockatansky finds himself unwantedly caught in the middle of a chase while aiding the heroine Furiosa, and her female companions, she struggles to return to her homeland and escape the clutches of a ruthless dessert gang leader, Immortan Joe. With the harsh desert sands in front of them and marauders behind, only the maddest will prevail the storm.

2015 has been a great year for action movies. This and Kingsman: The Secret Service have proved so. But Mad Max: Fury Road has truly taken it to the next level. And by next level, I mean level of action, stunts, practical effects, and insanity. George Miller’s way of storytelling is incredible. He comes up with great ways to explain his settings and characters. I was very pulled in to the setting, and loved the portrayals of Tom Hardy and Charlize Theron’s characters. Tom Hardy has a completely different personality than all his other movie characters, he feels mysterious and doesn’t say much, and even though you don’t know much about him, you care for him. Charlize Theron does an amazing job as a strong female character who you deeply care for. She isn’t your typical action heroine, she steals every scene she’s in, and is more of a lead heroine with a heart rather than simply a hot female bad ass.

The action is so entertaining, crazy, and nothing like you’d imagine it to be. The visual effects are beautiful, not only because of the set, but because all the action is practical, without any CGI. This is another reason why the action is so amazing and fun. The way the action is directed is awesome. George Miller makes the action as insane as possible, for example, an albino on top of a huge truck, surrounded by speakers, playing an electric guitar that spits out fire every couple seconds! The beautiful soundtrack and loud dialogue add to the quality of the action. There isn’t much character development where I felt there was supposed to be the most of it, but honestly, this movie is just supposed to be about cars crashing into each other, and crazy people killing each other. Miller deserves a lot of credit for his efforts in casting, filming, choreographing action, and bringing his popular classic franchise back to life.

Overall, Mad Max: Fury Road is action at is wildest, craziest, most entertaining, and with the adrenaline at its highest level. George Miller has done an amazing job with his Mad Max saga, and this one is his best. An awesome ride that will keep you on the edge of your seat, and highly recommended for action fans ages 13-14 and up!

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05.22.15
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Tomorrowland

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Bound by a shared destiny, a teen bursting with scientific curiosity and a former boy-genius inventor embark on a mission to unearth the secrets of a place somewhere in time and space that exists in their collective memory.

Without question, Tomorrowland is the most inspiring, thoughtful, and interesting movie I’ve seen in a long time. With excellent directing from Brad Bird (The Incredibles, Mission: Impossible – Ghost Protocol), and wonderful acting from Britt Robertson and George Clooney, Tomorrowland perfectly captures Walt Disney’s imagination, and inspires audiences that they can all make the world a better place. Personally, I was very attached to the film’s sci-fi setting, characters,and screenplay. The movie’s setting is not your cliche, post-apocalyptic world, but a very original and intriguing setting. I loved the way the future is depicted. It symbolizes what we can do if we reach high enough. Britt Robertson does a great job portraying a young, curious heroine. George Clooney also does a great job in front of the camera, despite the fact that his character is unlikable at first.  There are a few scenes that aimlessly drag on and don’t deliver the information that they are meant to, but other than that, I do not understand why everyone is complaining so much about this movie (it has an unbelievable score of 50% on Rotten Tomatoes). People haven’t quite understood it for what it is, unlike me, who deeply appreciated the movie and disagrees all the critics who are ranting about it.

Just when we thought Hollywood ran out of originality, we received this movie. Tomorrowland is truly astonishing, fascinating, brilliant, well-acted, and definitely a must-see for audiences age 12 and up. Brad Bird, you deserve your applause once again.

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02.01.15
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Paddington

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Paddington tells the story of a young Peruvian bear who travels to the city in search of a home. Finding himself lost and alone, he begins to realize that city life is not all he had imagined – until he meets the kindly Brown family who read the label around his neck that says “Please look after this bear. Thank you,” and offer him a temporary haven. It looks as though his luck has changed until this rarest of bears catches the eye of a museum taxidermist.

Following this film’s great reception, I was expecting a lot more. Unfortunately, I didn’t get anything from what I expected. The movie is predictable, unfunny, weird, and terribly executed. First, the CGI is terrible. Second, the plot is exactly like any other family movie, which makes it so cliché and predictable. Third, the villain was very weak. She had no reason whatsoever behind her will to kill animals and stuff them into her museum. Third, none of the jokes are funny. They are very overused. There were parts when I was literally shaking my head because of where this movie was going.

Overall, Paddington may be appealing to kids, but if you’re over age 11, then don’t watch this film. January still isn’t the month for great movies, it probably never will be.

01.12.15
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The 72nd Golden Globe Awards

Last night was The Golden Globe Awards! It was awesome! Tina Fey and Amy Poehler were hilarious, and the show was great! Here are the winners for movie categories:

Best Picture – Drama:
Boyhood

Best Picture – Comedy:
The Grand Budapest Hotel

Best Actor in a Drama:
Eddie Redmayne – Theory of Everything

Best Actor in a Comedy:
Michael Keaton – Birdman

Best Actress in a Drama:
Julianne Moore – Still Alice

Best Actress in a Comedy:
Any Adams – Big Eyes

Best Supporting Actor:
J.K Simmons – Whiplash

Best Supporting Actress:
Patricia Arquette – Boyhood

Best Screenplay:
Alejandro Gonzalez Iñárritu – Birdman

Best Director:
Richard Linklater – Boyhood

Best Animated Film:
How To Train Your Dragon 2

My thoughts on the winners:
I wish Benedict Cumberbatch won instead of Eddie Redmayne, and Birdman should have won Best Comedy instead of The Grand Budapest Hotel. They are both great movies, but I think Birdman is the better film. But I think that Birdman is in no way a comedy. It is definitely a drama. I am also very bummed that Interstellar did not win Best Score. But I am very happy that JK Simmons won best Supporting Actor, and Selma won Best Original Song. I think The Imitation Game should have won Best Drama, but then again, I haven’t seen Boyhood yet. I really wish Whiplash was nominated for Best Drama, though. And I wish Emma Stone won Best Supporting Actress. I’m glad How to Train Your Dragon 2 won Best Animated Feature instead of the highly over hyped (but still good) Lego Movie. There were a few winners I wasn’t all happy with, but there is still the Oscars next month!