Despicable Me 3

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Gru (Steve Carell) meets his long-lost twin brother Dru, and they set out to get back a diamond stolen by villain Balthazar Bratt.

The first Despicable Me film brought a new and original concept to the animated film genre, but by the time Minions came out it was clear the series was out of ideas. Despicable Me 3 had literally no potential and no good payoff in the end. Steve Carell gives it his all as Gru and Dru, but nobody else does. The animation is lifeless and the story brings nothing new to the table. Gru is developed well, but his brother, wife, children, or even the minions aren’t. The villlain Balthazar Bratt is at first entertaining but quickly becomes very annoying and horribly written. His motive and presence are weak, and his character barely poses a threat against the protagonists. The theme of brotherhood is depicted well but Gru’s brother Dru’s presence is annoying as well and his character wasn’t very interesting. The Minions make for the best comedic moments of the film, but they’re barely in the film and I was never able to laugh when they weren’t on screen. Besides an opening scene that makes great use of Michael Jackson’s “Bad” and a scene featuring the Minions in prison, no scenes managed to catch my eye at all. The writers aren’t able to carry even a short 90-minute runtime well, with many subplots that had no effect on the plot and were extremely boring to watch. The first two films had good themes and vivid animation to bring the audiences in, but all this one has is uninspired comedy and predictable writing and characters. Instead of improving on the letdown of Minions, this one is even worse. This movie isn’t even a disappointment because I didn’t expect anything good out of it. The Despicable Me series used to be fun and engaging, but now it’s just a source of merchandising and money for Universal Pictures. Your young kids may be able to have fun with this movie, but even so I would recommend Cars 3 as a family film much more than this one. And if you’re looking for a good or funny film in general, you should just watch Baby Driver.

Despicable Me 3 may entertain your young ones or make you laugh a few times, but other than that this film falls completely flat and is not worth paying for. You won’t get anything new or even worth sitting through unless you’re with your family, and even if you are, you should just see Cars 3, which you’ll all be sure to enjoy. There are so many better films out right now than this unnecessary, uninspired, and unimaginative sequel.

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Moana

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In Disney’s latest animated musical, Moana, the teenage daughter of a village chief, sets out to save her island and her people, with the help of a troublesome but fearless demigod named Maui.

We all know from previous experience you’ve got to rush to the theaters whenever Disney releases an animated movie – and this one’s definitely worth it. Moana is not a princess movie – even Moana herself denies that she’s one. There are story elements and character arcs that will remind you of Aladdin, Frozen, and more, but Moana is as distant from the “Disney princess” genre as it gets. Auli’i Cravalho, 16-year old Hawaiian native and newcomer to showbiz, voices our lead and brings tons of heart and independence to her character. Moana isn’t looking for a prince to save her – she knows only she can embark on this journey to save her island. Disney wouldn’t have thought to create a heroine like that 10 years ago, and I’m glad we live in a world where our next generation will be getting films like these. Cravalho not only delivers her character’s courageous soul, but also a few memorable musical numbers with a voice that I’m sure will get her somewhere soon. You know who else can sing? Dwayne “The Rock” Johnson, who sings my favorite and arguably the catchiest song in the movie, and he also delivers a phenomenal voice performance as the self-absorbed demigod who reluctantly joins Moana’s adventure. Disney hired the right person to write Moana‘s songs in Hamilton creator Lin-Manuel Miranda. Although there is less singing than in Tangled and Frozen, and you probably won’t catch your children singing the songs from this film like they did with “Do You Want to Build a Snowman?” and “Let it Go” a few years ago, the songs here were much better written and a lot more enjoyable for me.

Should Moana enter the race to the Best Animated Feature Oscar alongside Finding Dory and Zootopia?  Well, I’d say that it absolutely should. Who thought that Disney could release two computer-animated movies in the same year without the Pixar trademark and they’d both be so successful? The animation is stunning, and the ocean and the creatures living in it, from sea turtles to stingrays, look gorgeous thanks to the hard work put into the movie’s visual appeal. The uniqueness and entertainment of Moana is why you should definitely see this one on the big screen. The movie’s humor is mostly aimed for younger audiences, but it still had me laughing hard throughout. Although some plot elements at one point feel too familiar from other Disney films, as well as the message about how every individual is important and can make a difference, it’s the way it’s executed that makes it all fit perfectly in the end, and will be sure to leave a huge smile on your face.

Disney has done it again with Moana, an extraordinary, heartfelt, and wonderfully executed musical adventure that the whole family is sure to love. A beautifully looking tribute to Polynesian culture and mythology, this is one entertaining journey that you should not skip watching on the big screen. Stay tuned after the credits for an extra gag, and make sure to be there on time for a fantastic short film before the feature.

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Finding Dory

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One year after the events of Finding Nemo, Dory begins to have flashbacks of her childhood and sets out on a journey to find her parents. Along the way, she becomes captured and taken to a California public aquarium, where Marlin and Nemo attempt to rescue her within.

Finding Dory is a movie we’ve all been awaiting for thirteen years (just a year short of how long I’ve been alive). Its beloved predecessor Nemo is a film I’ve grown up with and watched more times than any other film in my life, so Dory isn’t just another newly released animated movie for me, it’s practically the sequel to my childhood. So for such an anticipated movie, this one definitely did not disappoint. Ellen DeGenres once again brings such charm and fun to the iconic amnesiac fish, and Albert Brooks is able to hold on to what made him so great as Marlin in the first film. Not to mention the newcomers of the cast,  Modern Family‘s Ed O’Neill as an octopus and Ty Burrell as a beluga whale, Eugene Levy and Diane Keaton as Dory’s parents, and The Wire costars Idris Elba and Dominic West as two hilarious sea lions, who all do a remarkable job in their roles. The animation in this movie is absolutely beautiful, with more vividness and color than before. The way the ocean, fish, and underwater habitats were animated doesn’t try to be as photo-realistic as The Good Dinosaur, but focuses more on bringing back the familiar settings from the first film and much more, and still pays off just as well (and adds a lot more to the overall film).

The one thing I loved about Finding Dory more than anything else is the messages it tries to convey about family. Pixar’s movies are known to touch your heart and make you shed a few tears, and this film is no different. Unlike its predecessor, its title does not refer to a journey with the purpose to find someone physically, but this time around, our protagonist is trying to find herself. Dory’s journey to find her family is more emotional than physical, as she struggles to remember her past and who she really is. The message in this film about how family will never give up on you and that nothing is closer than your family was very touching. This movie, however, also explores the theme of living with disability. As all you viewers of the first movie know, Dory struggles with short-term memory loss, and you can see how this adds challenges to her everyday life. Her friend Destiny, a near-sighted whale shark from the aquarium, struggles with her visual impairment and always has to make sure she never crashes into any walls. Pixar’s ability to bring depth to fish and make them feel human in both Finding Nemo and Finding Dory is so intriguing and applaudable, as it’s something no other studio is really capable of doing. We’ve seen them do this before to toys, bugs, and other different things we’d never imagine be done. This is something that makes Pixar unique, as many other animated studios have similarly tried these things but it’s never really worked that well. Pixar can practically do anything with the amazing potential they have. My one problem with the film is that a few messages and lines get somewhat repetitive, but this did not bother me too much. Also, the way the movie’s climax plays out feels too forced  and unrealistic, and was probably only done to bring some excitement for younger audiences. Nevertheless, Finding Dory is another wonderful Pixar summer feature that you should definitely go watch with your family, not not just alone.

Also, there is a short film called Piper that plays before the feature film. The short is about  a young sandpiper bird learning to behave like her flock, searching for clams on a sandy shore with some of her mother’s instructions. On the way, she learns how to be resilient, brave, and try new things. Not to mention that all this is told without any dialogue. This short is animated marvelously, and it’s overall a very cute short that you should look forward to before the film begins.

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Minions

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Minions tells the origin story of the hilarious, adorable, lovable yellow creatures from the Despicable Me movies. They have existed since the beginning of time (starting as single-celled yellow organisms living underwater), eventually evolving and serving villains for ages (accidentally killing every one, however). The soon isolate themselves and build a new society, but feel meaningless and depressed by 1968. Three brave Minions, going by the names Stuart, Kevin, and Bob, decide to go on a journey in order to find a new master. They find themselves in Villain-Con in Orlando, and soon end up working for female super-villain Scarlet Overkill (voiced by Sandra Bullock), who has the most menacing heist planned.

As a fan of the Minions and the Despicable Me franchise, I found Minions to be a big disappointment. Obviously, the Minions are still hilarious and lovable, and never failed to crack me up. I loved the references to popular ’60s music (don’t worry, The Beatles are in there), and the soundtrack of ’60s hits rocked. Their origin (leading up to the main plot in 1968) was set up very well and crafted in a great way, with good narration and great humor. After that, the plot starts to gradually fall out of place, and by the end, its incredibly predictable. There are a few plot points that aren’t quite clear, and a few points that don’t deliver. The ending is a good set-up to Despicable Me and further, but is incredibly predictable, with tons of cliches being thrown into the screenplay. The final 20 minutes of the film simply recycle events from the final battle of Despicable Me 2, and I really didn’t enjoy it. Despite Inside Out being a great original hit, almost all family movies nowadays recycle the same ideas that have been used forever, and unfortunately, this movie is an example. Despite the humor being great, I was let down by the story and originality of the movie. I also felt that the pacing was very uneven. The movie is about an hour and a half, but feels more like an hour, and is very rushed after the first 20 minutes.

Overall, Minions is a huge disappointment, with uneven pacing and a bland plot that lacks the originality of its predecessors. However, its one redeeming factor is its awesome humor (enough to earn it a decent rating), which the franchise holds onto, and hopefully still will in the future, as well as polishing up the flaws from this film.

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