After using his powers for vengeance, the mortal slave Teth-Adam was imprisoned by the gods and trapped for centuries, becoming Black Adam. Nearly 5,000 years later, Black Adam is freed and finds his unique form of justice challenged by the Justice Society of America (JSA).
If you’re familiar with the kind of blockbusters Dwayne Johnson is often a part of, this is no different — an action movie that tries to be as crowd pleasing as possible with as little brain energy as possible. And it’s very middle-of-the-road for his filmography — it’s not as fun as the Jumanji or Fast & Furious films but not as embarrassingly bad as Skyscraper or Baywatch, so right there in the middle with forgettable spectacle like San Andreas, Red Notice and Jungle Cruise. Johnson delivers a solid performance as Black Adam, whose humor this time around comes more from Adam’s “fish out of water” aspect. However, his character’s actual development in order to justify him turning into a more rageful anti-hero is pretty uninteresting and it says a lot that all four members of the Justice Society have no backstory or arc but are far more interesting than him. Aldis Hodge shows off his badassery as Hawkman, going toe-to-toe with Johnson and even managing to steal the show from him, along with Pierce Brosnan, who is also great as Doctor Fate, whose powers and presence are intriguing. Noah Centineo and Quintessa Swindell are also entertaining as the other two members of the JSA. Unfortunately, the movie is brought down by a bloated conflict, weak CGI and a script you’ve seen a thousand times before. The rapid editing of action scenes takes away lots of the grandiose, even when Black Adam fighting the JSA starts off fun. By the third act, it descends completely into a forced “good guy vs bad guy” CGI-fest of action that feels pulled straight out of Justice League. Though the style manages to occasionally have fun, it’s got too many elements working against it, whether it be the editing, Marwan Kenzari’s awful character, the lack of thematic clarity, or a willingness to take itself less seriously than it should.
Black Adam serves loud noise and huge action scenes — exactly what The Rock is known for — but unfortunately nothing more. The solid supporting cast and occasionally entertaining action and scale isn’t enough to save this movie from descending into generic chaos.
Frenemies Luke Hobbs and Deckard Shaw must reteam two years after The Fate of the Furious in order to stop a genetically enhanced criminal mastermind from unleashing a deadly virus onto humanity.
I’m normally quite an admirer of this franchise; their storylines aren’t always amazing but they’re ridiculously fun and something that I can’t miss on the big screen. These kinds of huge action movies bring audiences together and normally put a smile on my face. So while I wasn’t expected to be moved by Hobbs & Shaw or see something particularly unique, I was at least expecting more than what I ended up getting. Fast & Furious Presents: Hobbs & Shaw lacks the energy and personality that makes this series exciting and memorable. Fast & Furious is about people using cars to pull of unbelievable stunts and going on impossible missions. Meanwhile, Hobbs & Shaw is just another action movie. Is The Fate of the Furious necessarily a great movie with masterclass choreography or some sort of strong message? No. But what makes these movies work so well for what they are is moments like Dwayne Johnson pushing a torpedo with his bare hands or Vin Diesel flying his car through different skyscrapers in Furious 7 that allow the past movies to indulge in the ridiculousness that it is and find merit through crazy popcorn action and likable characters and dialogue. Nothing about the action in this movie has any of that personality that makes the rest of the series’ action, while ridiculous, ultimately entertaining. It’s only in the climactic final battle where the movie allows itself to up the ante, get over-the-top, and actually have somewhat lively fight scenes. The cinematography and editing are also sometimes poor and either too choppy or just not consistent or interesting. The humor, despite some good moments, also falls flat many times and gets tiring. Dwayne Johnson still breathes light and liveliness into his role but after a while him and Jason Statham roasting each other gets old. Also, they made amends at the end of the last film so it’s not even clear why they still hate each other. Another thing that really bugged me is the villain, played by Idris Elba. His character is nonsensical and laughable (I mean you can expect that from this series but can we also ask for a villain that isn’t so absurd you want to laugh at it?). I mean, that’s what this movie is, absurd, and that’s what its supposed to be. But the movie tries to make Elba’s character deep and motivated but it really is hard when his evil organization feels like something out of a bad Ninja Turtles show. His purpose is questionable and his motive is nearly the same as another big villain this year from the film Avengers: Endgame. His antagonist was probably even as bad as Charlize Theron’s character in the last movie. Fortunately, the movie does make up for it with some awesome and unexpected celebrity cameos that are perfectly utilized.
I’m a fan of David Leitch’s directing for Deadpool 2, as well as some spectacular action for an otherwise mediocre debut film Atomic Blonde, and while sometimes the lighting and settings are well selected, the action feels either too quickly edited so it’s hard to take in what’s happening, or just too dull and boringly choreographed. Like I said, Hobbs & Shaw‘s action lacks personality so it feels like this could’ve been out of any standard spy action film worth passing over. The plot has a somewhat cool device involving a virus, but really nothing interesting is done with the story until Hobbs is forced to confront his past and his family in Samoa. The scenes where we see Hobbs’ family and culture being embraced are some of the best parts of the film story-wise, and every other attempt to craft a compelling story fails and there are some lines that don’t really belong. Like I said, I’m not looking for an incredible script with these movies, but at least the past movies were able to make their themes of family and friendship work. Hobbs & Shaw aims for this but it only really lands towards the end, like I said. It feels like writer Chris Morgan, who has worked on this franchise for seven films, has started to lose grip on how to make effective humor and conflict to craft a truly worthwhile blockbuster like he has several times before. When the final act utilizes a unique setting and culture, it becomes amusing, but Hobbs & Shaw unfortunately takes many of the wrong things too seriously and when it does go for comedy, it sometimes doesn’t hit the mark. There’s also a very forced hinting at a romance that thankfully never happens but the writers felt they had to push it into there just to check off a studio box. There’s also an ending that’s pretty abrupt and for some reason the movie decides to tell its entire epilogue through the credits. Believe me, Fast & Furious Presents: Hobbs & Shaw is quite ridiculous, but it doesn’t succeed in having that personality that makes everyone enjoy the hell out of this franchise, and lacks that energy that got me pumped while watching Fast 5, 6, 7, and 8. Instead this movie feels tiring and doesn’t allow the audience to indulge in the lack of believability, instead it takes the plot too seriously and the humorous banter doesn’t always succeed either. Perhaps this movie would’ve worked better if it was marketed as some sort of parody rather than a real spin-off to a franchise I’ve had better times with. I’m glad next time we’re getting a different director and writer, and some more of Dom, Roman, and Tej. If you want to watch an action comedy where Dwayne Johnson fights people, well, this movie has that. But what I was also hoping for was that spark of energy and exhilaration that has always made the absolute insanity of the Fast & Furious franchise worth it.
In Disney’s latest animated musical, Moana, the teenage daughter of a village chief, sets out to save her island and her people, with the help of a troublesome but fearless demigod named Maui.
We all know from previous experience you’ve got to rush to the theaters whenever Disney releases an animated movie – and this one’s definitely worth it. Moana is not a princess movie – even Moana herself denies that she’s one. There are story elements and character arcs that will remind you of Aladdin, Frozen, and more, but Moana is as distant from the “Disney princess” genre as it gets. Auli’i Cravalho, 16-year old Hawaiian native and newcomer to showbiz, voices our lead and brings tons of heart and independence to her character. Moana isn’t looking for a prince to save her – she knows only she can embark on this journey to save her island. Disney wouldn’t have thought to create a heroine like that 10 years ago, and I’m glad we live in a world where our next generation will be getting films like these. Cravalho not only delivers her character’s courageous soul, but also a few memorable musical numbers with a voice that I’m sure will get her somewhere soon. You know who else can sing? Dwayne “The Rock” Johnson, who sings my favorite and arguably the catchiest song in the movie, and he also delivers a phenomenal voice performance as the self-absorbed demigod who reluctantly joins Moana’s adventure. Disney hired the right person to write Moana‘s songs in Hamilton creator Lin-Manuel Miranda. Although there is less singing than in Tangled and Frozen, and you probably won’t catch your children singing the songs from this film like they did with “Do You Want to Build a Snowman?” and “Let it Go” a few years ago, the songs here were much better written and a lot more enjoyable for me.
Should Moana enter the race to the Best Animated Feature Oscar alongside Finding Dory and Zootopia? Well, I’d say that it absolutely should. Who thought that Disney could release two computer-animated movies in the same year without the Pixar trademark and they’d both be so successful? The animation is stunning, and the ocean and the creatures living in it, from sea turtles to stingrays, look gorgeous thanks to the hard work put into the movie’s visual appeal. The uniqueness and entertainment of Moana is why you should definitely see this one on the big screen. The movie’s humor is mostly aimed for younger audiences, but it still had me laughing hard throughout. Although some plot elements at one point feel too familiar from other Disney films, as well as the message about how every individual is important and can make a difference, it’s the way it’s executed that makes it all fit perfectly in the end, and will be sure to leave a huge smile on your face.
Disney has done it again with Moana, an extraordinary, heartfelt, and wonderfully executed musical adventure that the whole family is sure to love. A beautifully looking tribute to Polynesian culture and mythology, this is one entertaining journey that you should not skip watching on the big screen. Stay tuned after the credits for an extra gag, and make sure to be there on time for a fantastic short film before the feature.
Following the events of Fast and Furious 6 (as well as Tokyo Drift) Owen Shaw’s brother, Deckard (Jason Statham), seeks revenge on Dominic Toretto (Vin Diesel) and his crew. The gang teams up with a government agent (Kurt Russell), and a young computer hacker named Ramsey (Nathalie Emmanuel), to retrieve a device that will help them take down Deckard, as well as a terrorist (Djimon Honsou) hunting Ramsey.
Furious 7 is easily the best in its franchise. Director James Wan brings the stakes up and does a fantastic job with the action and the cinematography. The film is very exciting, and the sound and effects make the action more thrilling. The cast all do an excellent job, and the script made me laugh at parts. Everything plays out perfectly, besides the fact that Jason Statham isn’t such a strong villain. The ending is sad, and a brilliant sendoff to Paul Walker, who was killed in an accident on November 30, 2013. I really hope they don’t make any of these films without him, he is part of the heart of the franchise and I can’t imagine this series without him. I’m glad this movie had as much heart as it did, which is one of the reasons it’s better than its previous installments.
Overall, Furious 7 takes the series up a notch with exciting action, humor, and a touching cast. I would recommend this film if you want to get to the movies to simply have a ton of fun!