Category Archives: Comedy

07.09.16
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Café Society

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Café Society, Woody Allen’s new period comedy-drama, focuses on young Bobby Dorfman (Jesse Eisenberg), who moves from Manhattan to 1930’s Hollywood, starts working for his uncle Phil (Steve Carell), and falls for his secretary Vonnie (Kristen Stewart). This leads to a series of twists and an adventure filled with romance and crime.

Earlier this week, I saw an early screening of Woody Allen’s latest feature, Cafe Society, which Allen also wrote, and even narrated himself. Woody Allen is one of the many fantastic faces behind the cameras and screens of Hollywood. Despite how much effort and ambition he puts into every one of his films, not many of them have been recognized as well worth remembering, with the exceptions of Midnight in Paris and Blue Jasmine. Is Cafe Society able to hold up to what Allen can really do? From a directing standpoint, mostly. Allen does a fantastic job bringing the ’30’s back to life with the vivid sets, costume design, and striking cinematography, all of which pay homage to the way films in the ’30’s were shot and made. Although the Coen brothers’ Hail, Caesar! from earlier this year did a much better job bringing the old days of Hollywood back to life and making me feel like I was watching a film from decades ago (and with a smaller budget than Cafe Society), Allen still tries his best to bring both the old Hollywood scenery to life, as well as the late night party terrain of New York. Allen always cares a lot about his characters, which really shows here. The cast gives it their best, with Jesse Eisenberg playing another one of those “young characters in a big world”, and once again, Kristen Stewart plays Eisenberg’s love interest. We’ve seen these two actors onscreen together many times before, but there’s always something new with their characters that we haven’t seen before. Eisenberg is quite hilarious in this film and he carries the film along very well. Steve Carell is also a standout here, with some great lines and a personality that he delivers very well. Another thing that the movie handles very well is its humor. Every instance of comedy was written superbly and made me crack up. Also, if you don’t know who the movie’s narrator is, save that surprise for after you watch the movie, if you don’t happen to recognize whose voice it is during the film.

The place where the movie really struggles and does not hold up at all is the story. The movie starts out as an entertaining dramedy set in the ’30s, which quickly turns into a romantic film. I only started to have a problem with this later, when every twist is revealed too quickly and the dramatic irony is sacrificed. Following this is just a bunch of scenes that take the film nowhere, although there is a subplot in the film that managed to work. Fortunately, the movie’s humor is consistent and never dropped, but the movie’s plot became so aimless and got to a point when it felt uncomfortable to watch, and soaked away almost everything else that made it entertaining. I never understand where the film was aiming and why. Not every movie has a message, but every movie goes a certain direction for a reason. Allen’s films usually end by either trying to teach you something, or by showing how the characters have changed throughout the film. There was absolutely none of that in this film. When I got out of the film, I was still wondering, “What was this movie trying to teach me? How did the characters change throughout the movie and how did the film’s events even affect them?” The film’s ending was probably when Allen gave up on the screenplay and decided to give the movie and abrupt ending instead of a more thoughtful one. I can imagine how much better this movie would have been of Allen wasn’t trying to leave his comfort zone with the writing. The scenery, cast and humor are all spot-on and help bring this movie a lively surrounding and feel, but the story ultimately plummets and didn’t feel like Allen put in his best work. If you’re a fan of Woody Allen’s movies, then you may want to see Cafe Society, but otherwise, I wouldn’t strongly recommend this film.

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05.22.16
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The Nice Guys

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A mismatched pair of private eyes investigate the deaths of fading stars in 1970s Los Angeles, which leads them to uncover what could be a shocking criminal conspiracy.

Man, does Shane Black know how to make a movie of his own. Both The Nice Guys and Black’s 2006 movie Kiss Kiss Bang Bang (starring Robert Downey Jr. and Val Kilmer) are so brilliantly written and directed and work as both action movies and comedies. Russell Crowe and Ryan Gosling are both able to carry the movie so well with their wit, humor, and lines. The way their characters are written and developed is great and their personalities are hilarious and entertaining. The chemistry between the two is not something I’ve seen in one of these movies before, because it is nailed so well here. That’s only one part of what makes the movie outstandingly done. The ’70s vibe of the film adds a lively setting and soundtrack to the movie, as well as some mature humor rather than what you’d see in a goofy Seth Rogen comedy. Black does a wonderful job choreographing the movie’s action sequences, and includes not only entertainment but also lots of humor within these scenes.

In a time where we get more superhero movies, remakes and adaptations than original films, The Nice Guys feels so fresh because of its originality. Although it has many similarities to Kiss Kiss Bang Bang, like its humor, excellent chemistry between two protagonists, and a mystery behind a missing woman, there are some new things Shane Black decides to try, and completely nails, like empowering a child character and making her a main character (something that didn’t work well for him in Iron Man 3). Things like this feel so daring but Black makes sure this movie turns out to be everything it wants to be, and he succeeds. The movie doesn’t turn out to be anything inspiring, but it’s not supposed to be. Instead it’s an excellent action comedy with great wit and originality, that’s meant for gags and pure fun.

The Nice Guys is the most original non-indie we’ve received in a while, with more than solid directing from Shane Black, and excellent performances. Every plot point here is nailed, even though not everything was clearly tied up at the end. It’s awesome, hilarious, and smart, more than anything else. Please help this movie do well at the box office (its struggling at the box office because it was released on the same day as a kids movie and a comedy sequel) by buying a ticket and watching this excellent movie. It’s not recommended for younger teens and kids, but adults and older teens will definitely appreciate and love this movie.

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03.06.16
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Zootopia

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In a city of anthropomorphic animals, a fugitive con artist fox and a rookie bunny cop must work together to uncover a conspiracy.

Disney strikes again with Zootopia, a buddy cop comedy, a political crime thriller, an urban mystery, and everything else you would not expect from a movie of its kind. Zootopia reminds us why animated movies are made. The clever humor, fantastic cast, and thoughtful messages make this Disney’s best animated feature since Wreck-It Ralph. I honestly did not expect this much from the movie, especially since the marketing didn’t make it look like anything great. Instead, I got a very smart, mature, and insightful animated tale that families can enjoy, and I even feel that adults would enjoy and understand this movie more than kids. It has tons of references, jokes, and concepts that adults would especially understand and take in. But it does still have a good touch that kids will enjoy as well, including promoting tolerance and teamwork and has a fast pace and great humor for younger audiences, including a hilarious scene with a DMV office run entirely by sloths. The animation is also splendid, with very vivid settings, colors, and tons of different mammal species.

Ginnifer Goodwin is great in the strong lead role: a bunny who aspires to be more than she is, and to make a difference. Her character is easy to sympathize with, and is put down by many peers but always tries harder. Although this aspect of her character at first seems very cliched, it becomes unique once the big message kicks in. Goodwin’s voice performance was very charming, and she was able to carry the movie along very well. Jason Bateman was the perfect choice to play con artist-turned sidekick fox Nick Wilde, as he fantastically delivers Wilde’s charm, sneakiness, and heart. Idris Elba was also perfectly casted as the angry police chief Bogo, who steals every one of his scenes in possibly my favorite performance in this film. It’s no surprise that J.K. Simmons is also great, voicing a lion who is also the mayor of Zootopia. The overall message of the movie very well relates to our modern society, and how politics can shape the way our community lives through fear. The movie discourages things like racism and drugs, and ultimately delivers a great moral about tolerance and being whatever you aspire. However, the first ten minutes of the movie are very unnecessary, and the movie falls flat for a couple of minutes in between the second and third acts. But overall, Zootopia is still an awesome animated movie that, like its protagonists, dares and succeeds to be much more than it is. One of Disney’s best recent features (excluding Star Wars), this one is definitely recommended for the entire family to go see and enjoy.

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02.21.16
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Deadpool

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In this hilarious, non-formulaic superhero action comedy, former Special Forces operative turned mercenary Wade Wilson is subjected to a rogue experiment that leaves him with accelerated healing powers, adopting the alter ego Deadpool.

Deadpool is nothing you would expect out of its recycled genre. Instead of being a cliche, dull, limited superhero movie like others are criticized for, Deadpool chooses to have tons of clever humor, wild and over-the-top violence, and other R-rated content to make it the Deadpool movie fans have been wishing for all along. Ryan Reynolds redeems his career as the hilarious, wisecracking hero who constantly breaks the fourth wall and makes us crack up. He always entertains and feels like the best part of the movie. Morena Bacarrin is also great in her role as Wade/Deadpool’s girlfriend Vanessa, and although her character was great, she eventually became a “damsel in distress” by the end, and that’s the one part this movie decided to keep from the superhero formula. However, I was still very convinced by Wade and Vanessa’s love story, as it does not feel like another dull romantic relationship, and it was mostly done well, even though Vanessa’s role became very cliched by the end.

The directing from first-time director Tim Miller is fantastic, as this movie always feels so well-realized and different in such a great way. This movie is self-aware about the path it takes, averting the  classic superhero formula that is still recycled today. The fourth wall breaks are always so brilliant, as Deadpool loves to blurt out everything his audiences are thinking. The script is probably the best thing about this movie outside of the cast. This movie’s script made a superhero movie so enjoyable in the most unimaginable way. The script keeps throwing unpredictable humor at you, most that will definitely make you laugh out loud. The opening credits are absolutely hilarious, and from there, the fun doesn’t stop. There is never a dull moment in this movie. In the end, I felt like the movie could have used a little more length, but mainly because I was having so much fun. Also, stay for a hilarious end-credits scene that brilliantly teases the recently greenlit sequel.

Deadpool is an achievement for mainstream superhero blockbusters, with a dirty, raunchy sense of humor, as well as awesome action sequences and a fantastic cast and crew. Deadpool redeems Ryan Reynolds as an actor, and feels so different than other films of its genre that I bet it will soon be considered a superhero classic. If there’s one movie out there right now you should see, it’s Deadpool, so see it to have the best time ever with a superhero movie!

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02.06.16
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Hail, Caesar!

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In the most recent film from the Coen brothers, Eddie Mannix (Josh Brolin) is a Hollywood “fixer” helping the production of the film Hail Caesar, starring famous actor Baird Whitlock (George Clooney). When a drugged Whitlock is kidnapped by a group named The Future, Mannix is the one in charge of collecting $100,000 and rescuing him. This hilarious comedy also stars an ensemble of Scarlett Johansson, Channing Tatum, Tilda Swinton, Ralph Fiennes, Jonah Hill, and Frances McDormand.

Hail, Caesar! aspires to act as many things: a love letter to the golden age of Hollywood, a hilarious and insanely fun comedy, and an interesting look at Communist beliefs of Hollywood’ hypocrisy. Mostly, this movie succeeds at that. Hail, Caesar is the kind of movie that casts the most famous faces from other Coen brothers movies in only cameos, that has a lengthy but awesome dance number from Channing Tatum (which the other scenes have really nothing to do with), and that loses some sense in its climax with a goal to merely entertain. There was never a dull moment in the movie, I was always pulled in and very entertained. The directing is always spot-on. The tension is always built up perfectly, and every scene cuts to the next right when it needs to. The cinematography from Roger Deakins was great, and he helped bring the style of old Hollywood to life with his camerawork. There were some shots that really impressed me, a few longer than the others, and the cinematography barely ever felt out of place. The score also fits the theme of the movie, and doesn’t ever get too repetitive.

Josh Brolin delivers a spot-on performance as the lead, and he always entertains with his witty dialogue and charm. George Clooney was quite hilarious as a kidnapped actor, who shines in every scene he’s in. Alden Ehrenreich plays a cowboy actor in quite a funny role as well, and the small but more well-known ensemble are great. Scarlett Johansson, Tilda Swinton, and Channing Tatum were all so great in their small roles, and I loved the way their characters were handled. However, they could have been in the film for long, especially Johansson, to better handle their subplots. I loved all the visual imagery of the film, and like I said, it tries be many different things, and thankfully succeeds. The movie’s short length ultimately pays off, considering how silly and fun the final act turned out to be. In many ways, this movie reminds me of 2014’s The Grand Budapest Hotel, with both their ambition, comedic tone, witty screenplay, and relatively short runtimes. Both of them have early release dates, but they are both begging for Oscar love, that of which Grand Budapest Hotel has already received. Although the movie has a specific target audience, and may not be for everyone, I think most moviegoers will love Hail, Caesar! like I did.

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01.31.16
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Kung Fu Panda 3

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In the third installment of the Kung Fu Panda saga, Po continues his journey, “legendary adventures of awesomeness”, this time having to face two hugely epic, but different threats: one supernatural and the other a little closer to his home.

Who knew that a sequel about a fighting panda would be the first good January animated movie of the decade? Kung Fu Panda 3 just about lives up to its predecessors, surprisingly being able to handle an amount of plots with just the right balance. The movie starts off right about where the last one left off, with Po continuing his physical and emotional journey through kung fu. Speaking of our hero Po, Jack Black once again shines as the hilarious, unforgettable protagonist, who helps us laugh and enjoy our way throughout the film. Black has always been such a great comedian throughout his career, and this franchise is his opportunity to let his hilarious voice shine; here, he takes it for the third time. Dustin Hoffman is also great in his returning role of Master Shifu, and Angelina Jolie does a good job as well. Bryan Cranston was fantastically cast as Po’s biological father, as his character is very fun and well written. J.K. Simmons was the perfect choice for this movie’s villain, Kai. He has a great concept, fun lines, and he may just be the best villain in the saga yet.

The story, although often familiar, is always entertaining, and there isn’t really a dull moment in this film. The plot is always going and you never stop having fun until the end. The animation is gorgeous, bringing you amazing natural landscapes with a realistic effect. Hans Zimmer’s score is awesome, and adds to the movie’s excitement. The editing can sometimes be off, but that didn’t stop me from being very entertained. Although there is less substance in this film, what the saga is meant for is just some kung fu animated fun, and it isn’t as emotionally provoking as its predecessor, it’s just as entertaining, and ultimately, Kung Fu Panda 3 was everything it needed to be.

Kung Fu Panda 3 delivers as an awesome sequel, and a great way to kick off the year. With a high entertainment factor, vivid animation, and very clever humor, this movie is a great treat for kids and families alike.

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01.03.16
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The Big Short

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The Big Short follows the true story of four outsiders in the world of high-finance, who predicted the credit and housing bubble collapse of the mid-2000s and decide to take on the big banks for their lack of foresight and greed.

Ever since I heard about this film, I knew I was up for something, especially because of the director and four main actors. This movie gave me everything I wanted from it. The stars, screenplay, directing, and humor were all excellent and made this film so entertaining. It follows in the footsteps of The Wolf of Wall Street, being another financial true story filled with cursing, humor, celebrity cameos, and fourth-wall breaks. The only difference from those basics is that this film is an achievement from a more amateur director in the genre. Adam McKay has directed some of my favorite comedies, including Anchorman and Step Brothers among others, and I loved seeing him venture into a more dramatic territory with this film. From beginning to end, the movie entertained the hell out of me, and even its ways of exposition to explain the financial laws of the story are made fun.

The stars in this film blew me away. Christian Bale completely transforms into the role, delivering a very realistic and human performance. Bale is one of my favorite actors and he was practically unrecognizable with his portrayal of Michael Burry and the character’s eccentric personality. Steve Carell also strikes with his performance as a somewhat mentally unstable broker who also finds himself able to profit from the economic collapse. Carell entertained and really delivered in his hilarious role. Ryan Gosling is also fun to watch on screen with his narration and nearly constant fourth-wall breaks. Brad Pitt is solid as well, but is not as frequent on screen as the rest of the main ensemble.

Even if you are not someone who would understand something as complicated as CDOs and other key financial items leading to the collapse, this movie’s script and directing makes this film entertaining and worth watching for everyone. I applaud Adam McKay for trying something new (especially not having Will Ferrell cast as his lead for the first time), and I hope I can see him do something like this again in the future. I am glad this movie got recognition at the Golden Globe nominee list, and hopefully it goes big at the Oscars this year as well.

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08.08.15
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Shaun the Sheep Movie

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When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home.

Shaun the Sheep Movie isn’t exactly what I expected from a stop-motion film without dialogue. The movie actually turned out to be funny, charming, and exciting. The animation is done brilliantly, with the clay settings and characters being brought to life very well, with a great soundtrack, too. The humor was great, and made me laugh quite a lot. There are a few brilliant scenes in which there is some humor like I’ve never scene before. The film’s script doesn’t use those cliche fart jokes or other overused jokes on that track except maybe once. The story is great and always entertains. It is able to differ from other recent animated movies with its charm, interest. and style of storytelling. The movie has no dialogue whatsoever, and is so entertaining in that way. It knows how to use non-verbal humor in such an awesome way, that isn’t what you’d expect from other animated movies of its kind.

Overall, Shaun the Sheep Movie is surprisingly entertaining, hilarious, well-animated, and fun for the whole family – and adults of some taste.

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07.23.15
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Paper Towns

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Quentin “Q” Jacobsen lives next door to Margo Roth Spiegelman, his childhood friend from whom he has since drifted, but still has feelings for. One night, when she climbs through his window and summons him on an all-night road trip of revenge, he cannot help but follow her lead. The next day, however, Margo doesn’t come to school, and after a few days it becomes apparent she’s missing. Q soon learns that there are clues in her disappearance that seem to be meant for him to make sense of. But as he gets deeper into the mystery and discovers more about the person Margo actually is, he becomes less sure of who and what he’s looking for.

As a big fan of the book, and one of the people who was impressed by last year’s The Fault in our Stars, I had high hopes for this movie. Although it falls slightly short of what I expected, it’s still very charming, funny, touching, and often entertaining. There are a few changes made from the book, but none that bothered me or affected the story’s quality. Nat Wolff does a great job playing a funny, likable and realistic teenager, portrayed very well. However, Cara Delevingne steals the show as the fascinating Margo, beautiful and perfectly casted. The rest of the cast also do a great job. The teenage protagonists are all very charming, funny, and are portrayed in a very realistic way, in the aspect that they are all facing normal teenage emotions and maturing in a believable but very interesting way. Paper Towns is able to not only entertain and make audiences smile, but also conveys a coming-of-age message, ultimately. It teaches about friendship, desperation, and ultimately understanding what life is about. In addition to this nice story, the soundtrack is well-composed and great to listen to, like The Fault in our Stars‘ soundtrack.

Like I said before, Paper Towns was a slight disappointment. The main problem is that it is way too short. It not only feels rushed, but doesn’t take the time to explain important points of the story, like Q’s relationship with his parents (who only get five seconds of screen time), the bonding between the teenagers the film focuses on, and many people getting involved in Margo’s mysterious disappearance, which were all very important in the book. The movie should have taken at least 20 more minutes to convince us that the protagonists’ mission is worthwhile, and about their entire personality. They weren’t the changes in the book that brought the film down a little, but the pacing and uneven narrative the film has.

Like many teenage movies, Paper Towns is very funny, charming, and well-written, but doesn’t completely have the aim for the main characters that I was searching for. But I would recommend the film for any fans of the book or the film’s genre.

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07.05.15
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Minions

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Minions tells the origin story of the hilarious, adorable, lovable yellow creatures from the Despicable Me movies. They have existed since the beginning of time (starting as single-celled yellow organisms living underwater), eventually evolving and serving villains for ages (accidentally killing every one, however). The soon isolate themselves and build a new society, but feel meaningless and depressed by 1968. Three brave Minions, going by the names Stuart, Kevin, and Bob, decide to go on a journey in order to find a new master. They find themselves in Villain-Con in Orlando, and soon end up working for female super-villain Scarlet Overkill (voiced by Sandra Bullock), who has the most menacing heist planned.

As a fan of the Minions and the Despicable Me franchise, I found Minions to be a big disappointment. Obviously, the Minions are still hilarious and lovable, and never failed to crack me up. I loved the references to popular ’60s music (don’t worry, The Beatles are in there), and the soundtrack of ’60s hits rocked. Their origin (leading up to the main plot in 1968) was set up very well and crafted in a great way, with good narration and great humor. After that, the plot starts to gradually fall out of place, and by the end, its incredibly predictable. There are a few plot points that aren’t quite clear, and a few points that don’t deliver. The ending is a good set-up to Despicable Me and further, but is incredibly predictable, with tons of cliches being thrown into the screenplay. The final 20 minutes of the film simply recycle events from the final battle of Despicable Me 2, and I really didn’t enjoy it. Despite Inside Out being a great original hit, almost all family movies nowadays recycle the same ideas that have been used forever, and unfortunately, this movie is an example. Despite the humor being great, I was let down by the story and originality of the movie. I also felt that the pacing was very uneven. The movie is about an hour and a half, but feels more like an hour, and is very rushed after the first 20 minutes.

Overall, Minions is a huge disappointment, with uneven pacing and a bland plot that lacks the originality of its predecessors. However, its one redeeming factor is its awesome humor (enough to earn it a decent rating), which the franchise holds onto, and hopefully still will in the future, as well as polishing up the flaws from this film.

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