Category Archives: Horror

05.28.17
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Alien: Covenant

ratings4

After Ridley Scott tried to revive his franchise with a prequel series that started in 2012 with Prometheus, which was a huge disappointment, Scott redeems his franchise with this follow-up to Prometheus. The plot is similar to the other Alien films, with a crew of a spaceship traveling to an uncharted planet and then getting attacked by extraterrestrial life forms. However, this time, the characters are all developed well and Scott actaully gets you to care about them. I didn’t really care much about the characters in Prometheus, but here you actually are interested in them, and things like love and loss in these characters’ lives are handled well. Michael Fassbender reprises his role from the previous installment as David, and he also plays a new character named Walter, both of which are androids. Fassbender has never failed to impress me, and here he delivers such an impressive performance and he lives up to the responsibility of having to take on two roles. Katherine Waterson is also a great protagonist, and her emotion actually helps carry the film well. The ensemble supporting cast is also great, especially Danny McBride as the wise-cracking pilot of the Covenant.

The first act of this film builds up the conflict very well, from the opening scene which begins the story in an unexpected manner. When the intensity begins, I found myself thrilled during the very gruesome and bloody scenes of aliens breaking through bodies and chasing the human protagonists. The sequences are shot very well, and the CGI effects used to create aliens, planets, and spaceships are beautiful. The movie carries on some of the questions raised in Prometheus about life and existence, but this time the script actually makes you think about what the characters are talking about, and this helps the character arcs of David and Walter be even more compelling. There are also some twists that surprised me and made the film much more exciting. Scott inserts some of Jerry Goldsmith’s score to the original 1979 Alien which started it all, and tries to keep the feel of a ’70s science ficiton horror film in there, but it’s easy to notice that this film still follows the formula that Alien and Aliens established, and it’s easy to eventually get tired of seeing the same things so many times. However, the intense final act leading to a dark and unexpected ending promises that the next film will step away from that formula, and hopefully be just as great as this one.

Alien: Covenant is far from the franchise’s best but it uses what has made the saga great before to put it and Scott’s career back on a great track. The cast and writers try hard here, and their work definitely pays off and this disturbing and horrifying yet tense and exciting sci-fi horror film that will definitely amuse fans, as well as plot twists that will surprise many viewers. If you’re a teen or older, I’d suggest you help this film at the box office and give it a watch.

A black-and-white poster of a mass of people being surrounded/tortured by the aliens, not unlike the Renaissance depictions of Hell, with one alien at the center highlighted by a shaft of light from the upper-left.

04.22.17
by

Get Out

ratings5

Chris (Daniel Kaluuya) is an African-American who visits his Caucasian girlfriend’s mysterious family estate, but things start to slowly unravel and nothing is as peaceful as it seems.

Get Out is easily one of the smartest, most intense, and most surprising thrillers I’ve seen in theaters, and it’s even more shocking that its director is comedian Jordan Peele of the sketch comedy duo Key and Peele, and that this is his first time ever directing a movie. He creates such a mysterious and creepy environment in the film’s first hour and everything advances and is developed so well. Not only is everything very thrilling but the message he has to say about modern-day race relations is done so well with very over-the-top satirical humor and some that is mild as well.  The themes in the film about race aren’t preached or told to you but rather through interactions and reactions of the characters in the film, and it feels like something some audiences could even relate to. When the horrifying truth of what’s been going on throughout the film is finally revealed, everything makes sense and it ends in a suspenseful carnage of blood and surprises. Daniel Kaluuya shows such wonderful talent in every scene, and his character feels very realistic and in no way overdone like most filmmakers would make a protagonist like him behave. Allison WIlliams is also very well-cast and her performance is too great to spoil. However, the best of the cast is obviously Lil Rel Howery. He has about five or six scenes, and there wasn’t a single one that didn’t leave me cracking up. His dialogue is so hilarious and he knows how to bring terrific comic relief to a film. I didn’t think the 2017 film that truly defines what a Hollywood movie should be would be the directorial debut of a comedian or a horror film, but Get Out is widely distributed Hollywood at its greatest. The trailers misled me to think it was something cliche and uninspired, but what I stepped into truly blew me away. Peele makes it so original, engaging, and unforgettable, with sequences, twists, and shocks that are better than most of what you see nowadays being advertised on billboards and television. Get Out is not only brutal and thrilling but it also gives you an important and honest look at America today. Whether or not you like to be thrilled, entertained, or cracking up at the movies, I think every film lover and person should see Get Out. It’s the most acclaimed and essential film of the year so far and it’s an experience you won’t forget.

Teaser poster for 2017 film Get Out.png

10.17.12
by

Frankenweenie

My rating:

Frankenweenie is the first 3D animated black and white film, and it is directed by Tim Burton. It is a parody of the 1931 film Frankenstein, which is based on Mary Shelley’s book of the same name. It is also a remake of Tim Burton’s own 1984 short film, also titled Frankenweenie. Burton offered it to Disney, but they thought it was too strange. How ironic it is that 30 years later they asked him to make it into a feature film!

This film is about a boy named Victor Frankenstein, who’s best friend is his dog, Sparky. His parents want him to make friends with the neighbors, but Victor has no interest in making friends with the kids who live nearby, who include Nassor, a weird kid with a flat head inspired by Frankenstein’s monster, Edgar, a deformed, igor-like kid, Bob, an obese kid, Toshiaki, a Japanese classmate of Victor’s, and a weird, unnamed girl, who owns a cat named Mr. Whiskers. The only kid who really cares for Victor is Elsa, his next-door neighbor and the mayor’s niece, who owns a dog named Persephone. One day Sparky is killed by a car while pursuing a ball, and Victor is heartbroken. Persephone and Elsa are miserable, too. But one day in school Victor learns that the muscles of a dead frog still react to electricity. Victor tries this experiment on Sparky, which succeeds and Victor is really happy. But when Victor’s classmates find out, they plan to win the science fair using Victor’s creation, and they create monsters of their own, including a mummy hamster, a were-rat, a Gamera-like monster turtle, sea monkeys, and worst of all… a vampire cat!

This movie would be way too scary for kids younger than my age (10), but some parts are not as scary as others. This movie was OK, but not as good as Hotel Transylvania. I heard that Tim Burton was inspired to make this movie from his experience of losing his own dog when he was a child, and now, after watching this movie, I know how he felt when he lost his dog.

Also, here is the trailer of the movie.