Tag Archives: movie review

07.05.17
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Spider-Man: Homecoming

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After the events of Captain America: Civil War, Peter Parker returns to New York and, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City while fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.

After 6 films and 3 franchises, Spider-Man has finally gotten the big-screen treatment he and fans deserved, in the hands of Marvel Studios. Spidey is now part of the Marvel Cinematic Universe, as he also appeared last year in Civil War, and Tom Holland easily portrays the best incarnation of him yet. This time, Parker is 15 and still in high school, and his youth  and sense of adventure and humor brings so much fun to the film. I’m not a big fan of Sam Raimi’s Spider-Man trilogy, and the Amazing Spider-Man films left us all wanting more, but Homecoming is the perfect big screen treatment for the character. It’s got all the spirit, humor, and entertainment you would expect from a film like this. Every scene in this movie is tons of fun to watch and the action is very exciting as well. The cast, which includes Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Marisa Tomei, Robert Downey Jr., and many other familiar faces, is really well balanced and every cast member gives it their all. Downey’s presence is delightful, and thankfully doesn’t overstay his welcome yet still has some memorable moments. Keaton gives a good performance like always, and was a great choice to play the villain of the Vulture, but his character’s writing and presence are weak, which is disappointing because he is the main villain of the film. However, his character has a few good moments fighting Spider-Man.

One thing that I have noticed in recent superhero films, most notably Guardians of the Galaxy Vol. 2, is that, unlike most superhero films, that film wasn’t just driven by its action sequences and visual effects. That movie was driven by its characters and the script, as well as the emotion, development. and interactions between the characters. Marvel also gave me this sense with Logan, and here, it’s pretty clear that was the main focus as well. There is plenty of terrific action here, but the core of the film is the friendship between Peter and his best friend Ned, the mentorship he receives from Tony Stark, his crush for a girl named Liz, and his connection with his Aunt May. We see Peter’s internal conflicts as he’s facing issues every high school student goes through, but also his dedication to protecting New York and those he cares about. This film feels more human and fresh than the rest of the Spider-Man movies, and that’s why I was able to enjoy it so much. There’s also tons of Marvel references and easter eggs for fans of Spidey and the MCU, as well as some cameos from familiar faces, and these appearances include more than just Stan Lee. Spider-Man: Homecoming somewhat still follows the established MCU formula, but as I was watching it, I wasn’t reminded about the formula too much, and remember that this is not an origin story, allowing the plot to move more freely and feel less restrained. Michael Giacchino’s score is surprisingly fun and has some nods to other Spider-Man incarnations, but wasn’t anything out of the ordinary or extremely memorable. Director Jon Watts has never directed anything beyond a very low-budget indie, and he was able to handle the transition to an incredibly expensive and anticipated superhero blockbuster well. He was able to direct action, character interactions, and conflict very well, and I had an absolute blast watching another awesome addition to the Marvel Cinematic Universe.

Spider-Man: Homecoming is anything but disappointing. The cast, writing, directing, and characters are very enjoyable and superbly executed. The action, humor, and story will definitely entertain audiences of all ages, especially fans of the source material. This is definitely the perfect Spidey film to be made today and released to this generation, and a great way to kick off the month.

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07.01.17
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Despicable Me 3

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Gru (Steve Carell) meets his long-lost twin brother Dru, and they set out to get back a diamond stolen by villain Balthazar Bratt.

The first Despicable Me film brought a new and original concept to the animated film genre, but by the time Minions came out it was clear the series was out of ideas. Despicable Me 3 had literally no potential and no good payoff in the end. Steve Carell gives it his all as Gru and Dru, but nobody else does. The animation is lifeless and the story brings nothing new to the table. Gru is developed well, but his brother, wife, children, or even the minions aren’t. The villlain Balthazar Bratt is at first entertaining but quickly becomes very annoying and horribly written. His motive and presence are weak, and his character barely poses a threat against the protagonists. The theme of brotherhood is depicted well but Gru’s brother Dru’s presence is annoying as well and his character wasn’t very interesting. The Minions make for the best comedic moments of the film, but they’re barely in the film and I was never able to laugh when they weren’t on screen. Besides an opening scene that makes great use of Michael Jackson’s “Bad” and a scene featuring the Minions in prison, no scenes managed to catch my eye at all. The writers aren’t able to carry even a short 90-minute runtime well, with many subplots that had no effect on the plot and were extremely boring to watch. The first two films had good themes and vivid animation to bring the audiences in, but all this one has is uninspired comedy and predictable writing and characters. Instead of improving on the letdown of Minions, this one is even worse. This movie isn’t even a disappointment because I didn’t expect anything good out of it. The Despicable Me series used to be fun and engaging, but now it’s just a source of merchandising and money for Universal Pictures. Your young kids may be able to have fun with this movie, but even so I would recommend Cars 3 as a family film much more than this one. And if you’re looking for a good or funny film in general, you should just watch Baby Driver.

Despicable Me 3 may entertain your young ones or make you laugh a few times, but other than that this film falls completely flat and is not worth paying for. You won’t get anything new or even worth sitting through unless you’re with your family, and even if you are, you should just see Cars 3, which you’ll all be sure to enjoy. There are so many better films out right now than this unnecessary, uninspired, and unimaginative sequel.

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06.05.17
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Wonder Woman

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Before she was Wonder Woman, she was Diana, princess of the Amazons and trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

I’ve had much less faith in DC ever since the disappointments of Batman v Superman and Suicide Squad were released last year. The plot and development of the universe in both films were rushed and horribly written, yet one thing stood out to me from DC’s films last year – Gal Gadot’s performance as Wonder Woman. She brought lots of heart into the character and didn’t let me down, so DC made a wise choice by making her the lead of their next film. Here, she’s even more impressive as one of the most surprising and entertaining superhero protagonists in a long time. Gadot showed us that she had talent in her minor role in the Fast and Furious films, but she does better when she carries the film in the leading role. Her charm, emotion, charisma, and determination build a fantastic heroine who kicks ass and brings hope to not only the discouraged and devastated soldiers of the war in the film, but to the DCEU franchise and its future. If it weren’t for Gadot’s outstanding performance, I’m not sure I would have enjoyed the movie as much. I hope we see much more of her talent and her character in the future. Chris Pine is more than just the love interest, he’s also an interesting and well-written hero who has great chemistry with Gadot.

Wonder Woman not only has great leading roles but also very good directing and action scenes. If you liked seeing Wonder Woman fight alongside Batman and Superman last year, you’ll definitely enjoy seeing her beat up Germans as she deflects bullets and explosives and smashes through buildings with her shield. The action is very well-realized and although there is too much slow-motion at some points, it’s very exciting to watch how the action plays out in the film. Although the movie’s runtime isn’t too focused on action, plenty of the writing is there to develop the characters and give them interesting moments. The story of a god/goddess searching for their destiny outside of their home reminded me of Thor, and the WWI setting is reminiscent of the WWII set pieces in Captain America: The First Avenger. I loved the scenes in which Wonder Woman explores her motivation to fight, what she believes in, and her view on mankind, yet this time they made me care more about it than in Man of Steel and Batman v Superman because it isn’t delivered through slow montages and boring dialogue. Although it was produced by Zack Snyder, and he’s also credited for the story, which shows through the excessive use of slo-mo and some unbalanced pacing like in the other DC films, I’m sure glad he didn’t direct it, because Patty Jenkins was able to deliver a groundbreaking female superhero story in a much higher league than what Snyder has done. Thankfully this movie also doesn’t try to build on the universe and set up a sequel too much, it just left me wanting more films with Gadot in the main role in the future. There are villainous roles that are horribly written, including a villain reveal in the messy and CGI-heavy climactic battle that I really didn’t care about, and it took a while for me to really get into the story in the beginning, which starts with exposition and dialogue that could have used improvement. I’m glad that what follows is a fun and thrilling origin story for one of the most awesome and interesting female superheroes on the big screen.

Wonder Woman improves on DC’s underwhelming disappointments from last year, with a fantastic leading performance and well-shot action sequences. The writing could have used some improvement, but this film overall raises the bar for female superhero films and the DCEU’s potential. I can tell this won’t be the last of Gadot’s on-screen glory as the titular badass heroine.

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05.31.17
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Pirates of the Caribbean: Dead Men Tell No Tales

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In the fifth installment of the Pirates of the Caribbean franchise, Captain Jack Sparrow is pursued by an old rival, Captain Salazar, who along with his crew of ghost pirates has escaped from the Devil’s Triangle, and is determined to kill every pirate at sea. Jack seeks the Trident of Poseidon, a powerful artifact that grants its possessor total control over the seas, in order to defeat Salazar.

Disney has benefited with billions of dollars from this popular franchise based on the famous Disneyland ride, so it’s no surprise that they’ve gone and made a fifth one. Dead Men Tell No Tales is not the worst of the series but it’s not the return to form that many fans were hoping for. I did not walk in with high expectations so I can’t say I was disappointed, but I was not impressed either. Johnny Depp is back as Jack Sparrow, one of the most popular live action heroes of our time, and he’s still entertaining in the role, but his character barely serves a point in the plot this time around. He has lots of screen time and makes lots of jokes throughout but he’s never developed at all or given a reason to be there other than the fact that the villain wants revenge on him. Brenton Thwaites and Kaya Scodelario play two new protagonists to the series, and they both deliver solid performances, but their character arcs aren’t interesting enough to carry the film along. Javier Bardem stars as a frightening villain who starts out interesting but the dialogue and CGI make his character feel more comedic then threatening. Geoffrey Rush is also back as Hector Barbossa and is made a big part of the plot but his character’s writing failed to interest me.

I was never a huge fan of the series, but even those who loved the first few films won’t get much that they’re hoping for besides entertainment. The plot that drives the characters and the film forward are nothing near as compelling as the first film offered. Orlando Bloom and Keira Knightley didn’t reprise their roles in the last film, and here, they don’t appear much, either. The new young protagonists and the story that revolves around them just couldn’t fill that void or push the story forward well enough. There are some entertaining action scenes, such as a scene in which a bank is being robbed (not just the money, but the entire building is being dragged away), as well as one in which an execution is thwarted. There are moments that managed to entertain me and make me laugh, and shots that are done well, but the writers couldn’t come up with a story and character arcs that the audience could also enjoy. There are many magical concepts and backstories that were introduced but none of them made much sense or excited me at all. The movie doesn’t conclude terribly, but the post-credits scene sets up the potential sequel that I won’t be looking forward to.

Pirates of the Caribbean: Dead Men Tell No Tales isn’t the sequel many were hoping for, and although it will manage to entertain viewers, especially younger audiences and fans of the previous films, but the uninspired and boring storyline and character arcs make this film far from the saga’s best use of its potential. You may like it for its action, but there are films in theaters right now that you’ll probably like much better, like Guardians of the Galaxy Vol. 2, Alien: Covenant, and the new DC film Wonder Woman, which hits theaters this Friday.

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05.06.17
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Guardians of the Galaxy Vol. 2

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It’s been three years since Guardians of the Galaxy was released and became a huge hit for Marvel, and finally the Guardians have returned to the big screen in Vol. 2. This time, the Guardians travel throughout the cosmos as they help Peter Quill learn more about his true parentage. Thankfully, James Gunn knows how to make a standout superhero film for the second time. Vol. 2 doesn’t lose the charm, heart, and humor that made the first one so great. Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, and Vin Diesel are all still so brilliant and hilarious as the dysfunctional family who must save the galaxy for the second time. There’s something so refreshing about their characters that brings a smile to my face. Michael Rooker, Sean Gunn, and Karen Gillan also return from the first film, and their characters are explored much more interestingly this time. I was also impressed by newcomer Pom Klementieff as Mantis, a charming new member of the Guardians.

With a great visual style, script, and action sequences, James Gunn shows he can make a Marvel film that’s special and heartfelt. Guardians Vol. 2 feels somewhat distinct from the classic MCU formula, and isn’t too caught up with setting up a universe, but with bringing the best out of its characters and visuals. If you loved Awesome Mix Vol. 1, prepare for another great soundtrack in Awesome Mix Vol. 2, which includes some great songs that are used very well in the film. It’s been a while since the first film came out, and the first one felt so fresh and new when it was released, but by now the visuals and humorous style don’t feel as new and special as they did back then, but I can’t really blame the film for that. There are a few characters that are useless and I wish did more, and there’s a twist thrown in that was foreshadowed a little too much, but it feels different than what Marvel has done before. However, Gunn’s creative style makes this movie as entertaining and awesome as it should be. He knows how to make a great soundtrack and shoot action sequences very well, and he even pays homage to Hitchcock’s North by Northwest in a certain scene. Also, stay during the credits for not one, but five post-credit scenes after the film.

Guardians of the Galaxy Vol. 2 is another great Marvel feature with a terrific cast, an excellent soundtrack, great action and visuals, and a script that doesn’t feel as well-realized and fresh as the first film, but this movie still demonstrates James Gunn’s great talent when it comes to making huge blockbusters, and leaves you excited for Vol. 3.

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02.04.17
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Manchester by the Sea

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Manchester by the Sea focuses on Lee Chandler (Casey Affleck), who is asked to take care of his teenage nephew after the boy’s father suddenly dies, and must come to terms his past upon returning to his hometown. This plot and the marketing for the film make it seem very simple and somewhat familiar, but this movie is actually one of the most complex, heartbreaking, and exceptional films to be released in the last few years. I’ve seen performances in which actors feel like people instead of actors, but it’s hard to think of another time when a film doesn’t feel like it’s a film, because of how realistic the experience is. Every line and scene feels very authentic and almost like it wasn’t even written. The performances are also terrific, without a doubt. The hype for Casey Affleck’s performance, including a Golden Globe win and an Oscar nomination, is well deserved, as he delivers the most affecting performance I’ve seen this year. He doesn’t deliver a big scene that you can tell will be screened at the Oscars when his name is read, but the melancholy and soul he fills his character with is so real and moving that you go from hating Lee in the first minutes to empathizing with him by the end. Lucas Hedges delivers one of the greatest performances by a younger actor in recent years, and I felt so pulled into his role that I barely felt like he was acting, either. Michelle Williams is also exquisite and heart-wrenching as Lee’s ex-wife, who only has a few scenes but none of which aren’t memorable.

What audiences are sure to remember the most after seeing Manchester by the Sea is its gut-punching emotion, as a large portion of the film is very depressing and tough to experience. The emotional connection established between the audience and the main character is so strong that some events in the film feel much more effective and powerful than they would if the writing was any less spectacular than it was. Writer-director Kenneth Lonergan makes us not only care about the characters but he goes as far as making us experience these events with them. Whenever something out-of-the-ordinary happened, something as small as the shatter of a glass, the reaction the audience in my theater had, as well as myself, was much stronger than it would be in films such as blockbusters, because we were made to feel like we were going through these events as well. One thing that surprised me is that, even in all the sadness that’s being thrown at you, Lonergan was able to sneak in a few moments of great humor, and it’s not there to distract or turn the story upside down. The themes the movie will leave you thinking about can be connected to by everyone, as the film focuses on the strength of family, brotherhood, and parenthood. Manchester by the Sea is a riveting achievement that is able to leave a huge impact on you after watching it, even without beautiful cinematography and visuals like others among the year’s best films such as La La Land and Arrival. It has an authentic sense of humanity rather than of a film, and the performances are by far the best of the year. This movie is guaranteed to break your heart and impact you unlike many films this decade, as it’s a mature, brilliant, and flawless experience that must be viewed before this year’s Oscars.

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12.19.16
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Rogue One: A Star Wars Story

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Set before the events of the original Star Wars, Rogue One follows Jyn Erso, whose past connects her to the Empire and the construction of the Death Star, as she joins a team of Rebels on a seemingly hopeless mission to steal the plans to the Death Star and stop the Empire from using it to take over the galaxy.

Rogue One is definitely the movie that all Star Wars fans, including myself, have been waiting to watch this year. I was excited to watch this movie like any fan would be, but I was slightly skeptical as this is Lucasfilm’s first Star Wars spin-off. I was mostly satisfied with what I got. By no means does it reach the heights of The Force Awakens, but my inner Star Wars fan had a blast watching Rogue One. The impressive action sequences, terrific cast, and gorgeous visual effects make this film a treat to watch on the big screen. The style feels somewhat different than what we’ve received in previous films of the saga, and the action doesn’t feel too similar or borrowed, either. There’s a different approach to the violence and buildup because of this movie’s efforts to feel like a grounded war film, which it succeeds at very well. The fight scenes which include the classic X-Wing vs. TIE Fighter battles, Stormtrooper-filled shootouts, and other nostalgic callbacks are all shot and directed very well by Godzilla director Gareth Edwards, whose ambition for this story and franchise mostly pays off. Felicity Jones plays a strong female lead with a great backstory and lots of reasons to root for her. She and costar Diego Luna both bring lots of fun to their characters and carried the film very well, although Luna’s Captain Cassian Andor could have used more development. Ben Mendelsohn stars as an antagonist who opposes Jones and brought a great new character to life through his interesting performance. The supporting cast, including Donnie Yen, Jiang Wen, Riz Ahmed, Mads Mikkelsen, and Alan Tudyk are all phenomenal, although some of the heroes we are rooting for aren’t fully realized and lacked some of the development that I wanted from them. You’ll definitely also recognize Forest Whitaker in an over-the-top but fun and key role in the film.

Although Rogue One‘s visual appeal and high enjoyment level make this a must for all fans of the series, it fell slightly below my expectations. Like I said before, not many of the characters are fully developed and although they’re all awesome to watch on screen, some of the writing for their backstories and motivations were missing. The opening act is too rushed and passes by a lot, with editing that could have been stretched out a little longer and scenes that could have been made more memorable and meaningful. The film just kept getting better as the run-time went on, though, with the themes soon becoming more powerful and relevant and the style becoming more distinct than the previous films. The final act of the film is when I was really convinced that this was the Star Wars film we deserved – the last 45 minutes alone are worth the ticket price, perfectly setting up the original movies and giving us a great touch of what we love from ’70’s and ’80’s sci-fi. Rogue One also features tons of memorable cameos from our favorite characters from 1977 and onward, which is guaranteed to be nostalgic for all audiences. With its surprisingly thoughtful and interesting themes that younger viewers will enjoy as well, and a spirit that brings us back to the golden age of sci-fi cinema, Rogue One will not disappoint Star Wars fans looking for a serviceable spin-off with a satisfying plot, cast ensemble, and jaw-dropping nostalgia.

Packed with great action and visual effects, as well as a strong cast and themes, Rogue One is the prequel all Star Wars fans have wanted since 1999. It’s not as great as I think it could have been, as some characters are underdeveloped and the editing and pacing could have been more effective in the first act, but overall, Rogue One is a must-see for all fans of the saga and one of the most entertaining action films this year.

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11.25.16
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Moana

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In Disney’s latest animated musical, Moana, the teenage daughter of a village chief, sets out to save her island and her people, with the help of a troublesome but fearless demigod named Maui.

We all know from previous experience you’ve got to rush to the theaters whenever Disney releases an animated movie – and this one’s definitely worth it. Moana is not a princess movie – even Moana herself denies that she’s one. There are story elements and character arcs that will remind you of Aladdin, Frozen, and more, but Moana is as distant from the “Disney princess” genre as it gets. Auli’i Cravalho, 16-year old Hawaiian native and newcomer to showbiz, voices our lead and brings tons of heart and independence to her character. Moana isn’t looking for a prince to save her – she knows only she can embark on this journey to save her island. Disney wouldn’t have thought to create a heroine like that 10 years ago, and I’m glad we live in a world where our next generation will be getting films like these. Cravalho not only delivers her character’s courageous soul, but also a few memorable musical numbers with a voice that I’m sure will get her somewhere soon. You know who else can sing? Dwayne “The Rock” Johnson, who sings my favorite and arguably the catchiest song in the movie, and he also delivers a phenomenal voice performance as the self-absorbed demigod who reluctantly joins Moana’s adventure. Disney hired the right person to write Moana‘s songs in Hamilton creator Lin-Manuel Miranda. Although there is less singing than in Tangled and Frozen, and you probably won’t catch your children singing the songs from this film like they did with “Do You Want to Build a Snowman?” and “Let it Go” a few years ago, the songs here were much better written and a lot more enjoyable for me.

Should Moana enter the race to the Best Animated Feature Oscar alongside Finding Dory and Zootopia?  Well, I’d say that it absolutely should. Who thought that Disney could release two computer-animated movies in the same year without the Pixar trademark and they’d both be so successful? The animation is stunning, and the ocean and the creatures living in it, from sea turtles to stingrays, look gorgeous thanks to the hard work put into the movie’s visual appeal. The uniqueness and entertainment of Moana is why you should definitely see this one on the big screen. The movie’s humor is mostly aimed for younger audiences, but it still had me laughing hard throughout. Although some plot elements at one point feel too familiar from other Disney films, as well as the message about how every individual is important and can make a difference, it’s the way it’s executed that makes it all fit perfectly in the end, and will be sure to leave a huge smile on your face.

Disney has done it again with Moana, an extraordinary, heartfelt, and wonderfully executed musical adventure that the whole family is sure to love. A beautifully looking tribute to Polynesian culture and mythology, this is one entertaining journey that you should not skip watching on the big screen. Stay tuned after the credits for an extra gag, and make sure to be there on time for a fantastic short film before the feature.

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09.07.16
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The Light Between Oceans

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After a lighthouse keeper and his wife living off the coast of Western Australia rescue a baby from an adrift rowboat, they must decide whether to keep her and raise her as their own or report her to the police. Derek Cianfrance has brought us something truly beautiful with The Light Between Oceans, a poignant, tear-jerking, well-acted piece of film that will impact you emotionally like no other movie this year. Michael Fassbender and Alicia Vikander are astonishing in the film’s lead roles. Fassbender conveys every little emotion his character feels without having to use words. I don’t know if his performance here can beat what he gave us in last year’s Steve Jobs, but this film is undoubtedly another great example of how incapable Fassbender is of delivering anything less than great. Vikander fabulously helps carry the film and delivers what is by far the greatest performance of the year. It was hard to imagine her out of character for a moment because of how impeccably and marvelously she portrayed her role. She brings so much emotional strength that it even becomes disturbing in a few scenes. I haven’t seen too many performances like her’s in recent years. Rachel Weisz is also emotionally exquisite in her strong supporting performance.

The Light Between Oceans doesn’t only bring the best out of its A-list actors. The cinematography is dazzling and the score from Alexandre Desplat is easily the best this year. Every shot in the film is captured so gorgeously and perfectly, and it’s all accompanied very well to Desplat’s marvelous soundtrack. The movie tries very hard to get you emotional and depressed, and thankfully it doesn’t miss. Some scenes in this film managed to break my heart and almost made me shed a few tears. There are parts that are very tough to watch, so I’d only recommend this film for teens and older, but every one of these scenes are boasted by the cast’s strong performances and nearly flawless directing. I’m so impressed by how Cianfrance was able to put all of this to film and capture it so powerfully. All of this is what ultimately makes The Light Between Oceans a modern cinematic achievement.

The Light Between Oceans is gorgeously shot, acted, and directed, and is easily one of the best and most depressing films I’ve seen in theaters this year. It slows down a tad in the final act, but there’s no doubt to say this is the first true Oscar contender of the year. I can’t understand what critics find to be so mediocre about this movie, and I’d highly recommend you go see it if you’re 14 or older.

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08.27.16
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War Dogs

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War Dogs is based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan.

War Dogs is surprisingly one of the smartest and most entertaining movies of the year. With two excellent leading actors and superb writing, this movie is very hard not to enjoy. Jonah Hill and Miles Teller both kill it as two twenty-something-year-old arms dealers who became millionaires by forging their way to million-dollar deals and eventually, driving Porsche’s too. Hill is unforgettable, bringing so much fun and wit to his role, and Teller is filled with soul as Hill’s partner-in-crime, as well as the film’s narrator.

This movie is being sold as a comedy, and as much gut-busting humor that’s included in the film, I would look at it in a more broad way as a hybrid of The Big Short, The Wolf of Wall Street and Catch Me If You Can. I was especially reminded of Spielberg’s Catch Me If You Can because of the idea of young men making bad decisions, as well as an awful lot of money, with Hill and Teller’s roles resembling DiCaprio’s portrayal of con man Frank Abagnale, Jr. Although the characters in this film weren’t always in illegal business, but in both films the characters decide to cheat their way to the American dream. Even though this movie is from the director of the Hangover trilogy, don’t expect goofy and nonsensical humor, because War Dogs is a LOT more than that.

If you like watching movies about true stories that you wouldn’t believe actually happened at first, then this is the movie for you. The plot is heavily fictionalized but the overall story is true, and it was a story that was not just interesting to watch, but entertaining as hell to sit through. The movie is less than two hours long, but not a moment felt rushed. The script never provides a dull moment, and there are some scenes and lines that will be difficult for you to forget. Don’t expect much action from this film either, because that’s not what War Dogs is about. War Dogs is a dangerously true story, that’s more of a dramatic than a comedic or thrilling movie, and that may be hard to believe but also very hard to forget. Please give this one a watch in theaters if you want a remarkably awesome time at the movies.

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