Star Wars: The Force Awakens

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Thirty years ago, the Empire was defeated and now a new threat, The First Order, has risen from the ashes of the Empire. A scavenger named Rey has come into contact with a droid that contains a map to the legendary Luke Skywalker, who has vanished. Rey and a rogue stormtrooper named Finn find themselves in a monumental conflict between good and evil, that will unite them with both old and new faces from the legendary saga.

With not only high anticipation and high results at the box office, but also having everything we expected from this film to revive the saga, Star Wars: The Force Awakens is able to entertain, bring nostalgia to viewers, and deliver as the most rewarding blockbuster of the year. The movie reintroduces us into the galaxy far, far away with a perfect balance of the old and new generation. J.J. Abrams felt like the obvious choice to direct a modern Star Wars film from the beginning, and he rocked this movie just like I expected he would do.  He is very dedicated,  stylish, and loves to perfect his style to make the setting epic and remind us of the past films. I feel like Abrams is the only director in our decade that can handle Star Trek the right way, and right now I feel the same with Star Wars, although we never know how another director taking on the sequels could go.

The cast and characters in this movie are fantastic. Daisy Ridley killed it as our new female lead, and I love that this movie dares to do something big with a strong female character. John Boyega and Oscar Isaac also rock the new cast as amazingly likable characters. Adam Driver is successful with playing a complex, threatening villain that feels very real and interesting. The balance between old and new characters was great, as we also get great performances from returning stars Harrison Ford and Carrie Fisher, who play the classic heroes Han and Leia. I immediately fell in love with this new world and characters, as well as this huge, fascinating setting that Abrams did such a great job with.

This new Star Wars movie feels like such a treat mainly because of how much it is able to remind fans of the past as well as do such a great job with the new generation of characters. The thing that has always made Star Wars so unique is that no matter who you are or what your taste in film is, Star Wars is the movie for you. The prequels released last decade, which I strongly dislike, lack the sense of fun, humor, and great setting that this movie was able to keep so well. I had such a great time with this movie, from the moment the Star Wars logo appeared on screen to when the credits rolled, after over 2 hours of amazing cinematic entertainment. I already cannot wait to see Episode VIII, as this movie left me with so much to look forward to. So as long as you love Star Wars, which you most likely do, and enter this movie with an open mind, The Force Awakens is absolutely the movie for you.

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The Hunger Games: Mockingjay – Part 2

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In the final installment of the Hunger Games saga, Katniss Everdeen (Jennifer Lawrence) teams up with her closest allies for the ultimate mission. Together, they leave District 13 to liberate the citizens of war-torn Panem and assassinate President Snow, who’s obsessed with destroying Katniss. What lies ahead are mortal traps, dangerous enemies and moral choices that will ultimately determine the future of millions.

As a conclusion to a strong and beloved series, The Hunger Games: Mockingjay – Part 2 is quite satisfactory. It is able to deliver great action sequences and a better premise than its predecessor.

The first 30 minutes of the film are as bland as Mockingjay – Part 1 was, but instead of going downhill after that, it brings in very exciting action scenes and some convincing emotion that redeems the film and brings in a strong level of suspense. Jennifer Lawrence once again brings her character to life fantastically, and gives the role her best. Josh Hutcherson does a decent job, as he doesn’t amaze anymore as Peeta, and his character often feels all over the place, as he constantly struggles to recover from the events of the previous film. Donald Sutherland is a great villain, being able to portray the hate but also soft side in President Snow. Woody Harrelson and Philip Seymour Hoffman are given enough time to shine in their roles, the latter of which’s last role was in this film,  but many key characters, a few of which lacked screen time in the previous film, are not given too much development in this film, including Effie, Johanna, Annie, Caesar, and even Prim. I needed more development from these characters for their actions to be more effective and for them not to feel neglected. Gale, portrayed by Liam Hemsworth, once again feels too forced into the film, with lots of unnecessary development on his character, and he becomes more uninteresting throughout the film. This time should have been used to develop characters I wished more from.

Like I said before, after the first half hour, which is often rushed and feels too much like the previous film, with lots of unnecessary drama and an imperfect plot buildup, the film warms up a tad, bringing some more excitement, but still focuses on uneven development, like the first Mockingjay film. The cinematography is polished up but not quite perfected, and the visuals were alright. Throughout the film, the war against the Capitol is set up like a Hunger Games, and this felt very effective to both audiences of the film and the characters. The movie often rewards us with great sequences, and those that fans expect the most from often pay off. The way the movie concluded the saga lacked a lot. It was a tad rushed, and didn’t offer everything we still wanted from the saga’s setting and large story. I felt that the end should have tied some loose ends with a few of the characters.

The Hunger Games: Mockingjay – Part 2 is a nice treat for fans that makes up for the disappointment of Mockingjay – Part 1, although not as strong as Catching Fire. With some exciting scenes but lots of problems with characters, it’s ultimately worth checking out on the big screen, only if you’re a fan.

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Spectre

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Daniel Craig returns as James Bond in his most likely final film as the iconic spy. In Spectre, Bond discovers that everything he has fought to this day has linked up to one organization – SPECTRE, lead by the menacing Franz Oberhauser (a magnificent Christoph Waltz), who has a dark past with Bond.

Spectre is everything I wanted from a possible Bond finale with Daniel Craig. Enormous, packed with excellent action and wonderful performances, and putting you on the edge of your seat, Spectre brings Bond to the big screen in a way that couldn’t be more satisfying for die-hard fans like me. It includes very familiar elements from the old Bond features, including the awesome gun barrel opening, which hasn’t been used in the very opening since the Pierce Brosnan days. The movie isn’t even afraid to make fun of some of these elements, including the famous “shaken, not stirred” Martini cocktail, and even includes some humor in the fight scenes. Sam Mendes once again does a great job in the director’s chair, previously having done a fantastic job with SkyfallRoger Deakins did a great job shooting Skyfall, but in Spectre, Hoyte van Hoytema’s cinematography is something far magnificent. Having previously shot Christopher Nolan’s sci-fi epic Interstellar, Hoyte van Hoytema once again amazes with his ability to capture scale, perfect angles, and the need for as little takes as possible throughout scenes.

Daniel Craig once again delivers a strong and badass performance as the iconic hero that has been in and out of cinemas for over 50 years. He is able to convey the character’s emotion, motives, determination, and merciless tone. Léa Seydoux surprised me with such a deep, emotional, and strong performance as the new Bond girl. Christoph Waltz is by far the greatest Bond villain of the century. Having won two Oscars within 3 years, it’s no surprise that here, Waltz delivers a menacing, ruthless, extremely intimidating performance as such a fantastic and convincing antagonist. The movie did a perfect job saving up his character up until the last hour of the film, although he has a brief appearance before. It was very thrilling to see Bond get tortured psychologically by Waltz’s villain, rather than physically.

Sam Smith’s theme “Writing’s on the Wall” is not a great song, but is made such great use of in the opening credits of Spectre, with such amazing imagery like nothing I’ve seen in a Bond film before. The action is movies is so exciting, using such amazing cinematography, sound, and choreographed so well, I could never take my eyes off the film. By the time Waltz was onscreen, I was on the edge of my seat. I couldn’t believe how thrilled I was when Craig finally confronted Waltz, and what comes afterwords. The film ends very well, and I would be glad if it would end the saga, or at least Craig’s story. My one complaint of the film is that this movie and this summer’s Mission: Impossible – Rogue Nation felt extremely similar, with very similar plot points, but I found Spectre to be a far greater film, much more thrilling, exciting, and nostalgic to fans.

Spectre may not be as great as Casino Royale, but it brings back Bond in such an awesome, exciting way, that’s definitely worth a trip to the movies, especially for fans.

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Sicario

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Kate Macer (Emily Blunt), an idealistic FBI agent, is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.

Denis Villeneuve, the director of 2013’s Prisoners, has returned to the director’s seat with another thrilling and powerful flick. Sicario was often marketed as just another action flick with nothing more than cliche gunshots and explosions, but with a director like Villeneuve, I knew that wasn’t what Sicario would ultimately be. Instead, Sicario is thrilling, heart-pounding, powerful, fantastically acted, and beautifully shot. Emily Blunt delivers a strong female performance, probably the best of her career. I have never seen her as such a deep, driven character, and she portrays her role with lots of emotion and fear that feels real. Benicio del Toro’s performance felt very mysterious and dark, which I liked. Josh Brolin is also great, as a fun, laid-back character.

The movie’s cinematography stands out in such an amazing way. Roger Deakins shoots every single shot of this movie with such brilliance and detail. There are some simply breathtaking shots, whether they are large scale shots of a warring Mexico, or shots through night vision goggles of geared-up FBI agents traveling through dark tunnels. Some of these night shots are made terrifying with the effects of the sound and angle at which they are shot. This movie’s cinematography is the best of the year, and definitely deserves an Oscar.

Although not much besides the action happens within the first half of the film, it is often thrilling, and even when there is only the slightest amount of tension, it can be very suspenseful. By the time I was at the final half of the movie, my heart was pounding from all the suspense. The suspense builds up, and is ended in a perfect way. The movie’s ending sums up the film perfectly, and didn’t need to go any further. The movie has some pessimistic themes about the US/Mexico border’s danger, but conveys it in a very realistic way that makes you pulled in even more to the film’s setting and characters.

Sicario is a very powerful and thrilling film, and another strong picture from Denis Villeneuve. With a strong theme, excellent cinematography, and great performances, Sicario has thrilled me like no other film this year, and is a definite watch for ages 15 and up.

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Maze Runner: The Scorch Trials

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Thomas and his fellows Gladers have escaped the Maze, but they’re adventures weren’t over. They must now face a new set of challenges as they uncover the past of their desolate world.

Maze Runner: The Scorch Trials is the latest addition to the YA dystopian sci-fi genre, which includes films such as The Hunger Games, Ender’s Game, and Divergent. As the sequel to last year’s awesome action flick The Maze Runner, I expected a lot more from this film. One thing you should keep in mind is that I don’t care how differnet this film is from its book. I am reviewing this movie as a film, not a film adaptation. Anyway, this movie starts out completely rushed and would confuse anyone who hasn’t seen the first movie. Unlike the first film, none of the characters are able to deliver any emotion. Nothing is conveyed well or impacts the movie positively. Many characters are brought into the series too quickly and with barely any exposition, a lot of which is needed but lacked. The cast is mostly solid, but lots of the cast is barely needed. The action is decent and often fun, but it usually feels like a zombie movie when it has action, since most of the human race has been infected by a spreading disease from a solar flare. It eventually becomes messy with all the unnecessary twists and turns. The movie’s dialogue never completely knows where it’s going, and feels very cliche and tiring. By the film’s end, it’s completely frustrating and senseless, and leaving audiences not wanting to tune in for Part 3.

Overall, Maze Runner: The Scorch Trials is a complete downfall for its series. Lacking dramatization and originality, The Scorch Trials is ultimately not worth a ticket – or a sequel.

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Everest

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Everest is the exhilarating true story of the 1996 Mount Everest disaster, in which a climbing expedition on Mt. Everest, led by Rob Hall (Jason Clarke) and Scott Fischer (Jake Gyllenhaal), was devastated by a severe storm.

After Gravity showed you the suffering of being in space, Everest demonstrates the horrors of being at the highest place in the world, at a cruising altitude of 747, in dazzling IMAX 3D. Everest is a visual spectacle, using barely any CGI or effects, and filmed beautifully, showing you the amazing but terrifying landscape of Mount Everest. Every shot is incredible and beautiful look at. I felt sucked into the movie’s setting when I saw it in IMAX 3D. The movie’s score is also very well done.

Jason Clarke, Josh Brolin, and John Hawkes all did an incredible job acting as terrified climbers who have something to come back home for. Jake Gyllenhaal is also very good in his role, but he’s only likable and decently written, not amazing. Emily Watson and Keira Knightley are also good, but Robin Wright is miscast and overacted. Sam Worthington has a decent small role, and Michael Kelly is solid, too.

Everest may seem like it’s only some amazing views, but that’s not it. Once you’re an hour through the film, a storm approaches, threatening the climbers that we have related with. At this point, all the terror and amazement increases as the climbers struggle to survive. There is so much suspense that my breath was taken away from me, and I was on the very edge of my seat. It is very hard to watch what these climbers went through, but the theater experience ultimately leaves you in awe.

Everest is ultimately able to convey the beauty and horrors of the titular mountain in such a touching, amazing, and terrifying way. It is realistic, intense, wonderfully shot and directed, well-acted, and an unforgettable way too kick off the Oscar season.

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United 93

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In recognition of the 9/11 attacks 14 years ago, I decided to watch Paul Greengrass’ 2006 drama United 93 for the first time yesterday. Because of the occasion, I will review it, too.

United 93 depicts what happened on United Airlines Flight 93, hijacked on September 11, 2001, but the only one out of the four planes hijacked that day to not reach its target. It is an incredibly realistic and moving dramatization of the events the film depicts. Not much happens within the first 45 minutes, but after that, it becomes very intense. There isn’t a specified protagonist, and no known actors, but the performances feel amazingly realistic, without doubt. Once the hijacking begins, everything become so intense, real, and in the end, heartbreaking. Thanks to director Paul Greengrass, I felt like I was watching an actual event. He directs the film masterfully, and like he does with Captain Phillips, he is able to convey the story on flight 93 and the narrative of the attacks. It ends very dramatically, and takes your breath away at the last moment of the film.

Overall, United 93 is an excellent, captivating movie that feels realistic and emotional, and that I would recommend for ages 15 and up.

This review is dedicated to all the passengers who lost their lives on September 11, 2001.

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The Man from U.N.C.L.E.

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In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.

After a month of mostly disappointments, we get The Man from U.N.C.L.E., an awesome, wildly entertaining action flick. Guy Ritchie takes a ’60s spy television series and brilliantly turns it into a Bond-style thriller that’s loads of fun. Henry Cavill is a great protagonist, and although his personality is not completely convincing, mainly because he’s a Brit playing an American, he has great chemistry with Armie Hammer, who also does a great job. Alicia Vikander is very good too. Since she made her breakthrough with Ex Machina this year, she has been very pretty and attractive in all her roles. However, she feels like a cliche damsel in distress by the end of the film. Elizabeth Debicki’s villain is also slightly predictable, with her motive not being completely clear, besides wanting to continue a criminal family business from past generations. Hugh Grant does a great job but could’ve had some more screen time. Nevertheless, I was mostly entertained by the movie’s cast.

The movie’s action, like other action films this year, takes it to a completely new level. There isn’t too much action within the first hour, but there is still plenty of action during the run-time of the movie. Whenever the action came on screen, I found myself entertained out of my mind. The action is amazingly coordinated and brilliantly shot, not to mention the awesome soundtrack that gives the movie a ’60s feel. The way the movie’s story is set up is great. The movie altogether entertained the hell out of me from the beginning to the end. It’s not your typical cliche action story except for maybe a plot point or two. It’s not as cheesy of a movie as it seems, and is much better as its approach with marketing.

Like I’ve mentioned in previous posts, 2015 has been an excellent year for action movies. Kingsman: The Secret Service, Mad Max: Fury Road, and Mission: Impossible – Rogue Nation all defied expectations and were awesome in their own ways. Now, The Man from U.N.C.L.E. is one of those films. With its action, directing, cast, and soundtrack, it makes an awesome popcorn flick definitely worth checking out on the big screen.

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Fantastic Four (2015)

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Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.

Fantastic Four brings the 4 heroes back to the big screen. For good? Unfortunately not. The movie was only made so that Fox could keep the rights to the characters. And despite the studio also making the film to re-imagine the franchise for a new decade, no good effort comes out of this movie. The  script is lousy, cliche, and couldn’t be more predictable. It’s everything we’ve seen before, and nothing new came out of it. The directing isn’t good either, and although director Josh Trank apparently had a much better version of the movie before its release, Fox interfered and forced him to re-shoot. The result is something that couldn’t be more cliche, and like The Amazing Spider-Man 2, was interfered massively by its studio, resulting in the movie being worse than the director’s original idea. I am tired of this happening in post-productions, especially with high-budget films. I don’t believe a studio is there to avert a movie from the director’s vision, is the director is the most important person behind the camera of a movie.

The cast members are all horrendous. They are not interesting to watch on screen, as they do not bring their characters to life well. Miles Teller, Kate Mara, Michael B. Jordan, and Jamie Bell all deliver boring performances and aren’t special at all. Sure, they are great actors in other movies, but they didn’t work well with the script in this movie, especially because they didn’t deliver their lines well. Toby Kebbell gives a decent approach at first, but by the time his character becomes a villain, starts saying villain-y things and doing villain-y stuff, he isn’t interesting, either. Like the rest of the cast, Reg E. Cathey and Tim Blake Nelson are extremely boring, as two very cliche and predictable supporting characters.

Like I was saying earlier, everything about the story is extremely cliche, from the themes about family to the opening story about curious children wanting to solve the mysteries of science. There wasn’t a single bit of it I didn’t find to be familiar, just like my first impression of the movie when the first trailer was released back in February. The movie’s pacing is actually alright. It takes its time at first, but later it spends 40 minutes trying to convey the same thing over and over again, and then it ends way too early. It should have been at least 20 minutes longer, although no one would want to sit through 20 more minutes of utter garbage. By the end of the movie, the film’s approach is so awful. The ending is very weak, and they way they try to set it up for a sequel is in the most cliche and frustrating way possible, ti the point that I hope the sequel is scratched along with plans for a shared universe with the X-Men. I can’t yet decide what’s worse: this, or the dreadful 2005 Fantastic Four movie.

Unsurprisingly, Fantastic Four doesn’t satisfyingly bring the characters to the big screen, and more than that, it makes us want them to leave the screen. It’s time to put this franchise to rest.

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Mission: Impossible – Rogue Nation

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When the IMF is targeted by the Syndicate – a rogue organization committed to destroying the IMF, Ethan Hunt (Tom Cruise) reassembles his team (and is joined by a female assassin) to protect their organization, and their world as they know it.

When Tom Cruise is in an entertaining action film, what can go wrong? The series continues with tons of action, humor, and great cast members, and the franchise keeps getting better, film by film. Director Christopher McQuarrie, despite doing an awful job with Jack Reacher, brings the action and fun to life wonderfully. The action scenes are incredibly entertaining, and keeps you on the edge of your seat. Like I said before, Tom Cruise can never mess up an action movie. He does amazing stunts in all of his films, and is in great shape, despite already being 53. Simon Pegg is always great comic relief, and I loved watching him on screen as much as I did in the previous movies. Jeremy Renner also reprises his role from Ghost Protocol and does a very good, as well as Ving Rhames, another returning cast member. Rebecca Ferguson’s character, however, could have been written better, and could have been incorporated better into the script, including her dialogue, but she does know how to kick ass well. The movie’s villain is also done well, more believable than the one from Ghost Protocol, but still doesn’t beat Phillip Seymour Hoffman’s antagonist from Mission: Impossible 3.

The story and narrative in the film are very good, going straight into the action and bringing you right into the fun. There are a few obvious references to the other films (and the TV series they’re based on). Of course, by the end of the movie, I was blown away (I saw the movie on a huge IMAX screen in London, and the immense viewing and sound added to the film’s awesome experience), and hopeful about the potential it has for future films.

Overall, Mission: Impossible – Rogue Nation is a great and possibly the best installment in its beloved series. It is incredibly entertaining, well-acted, and well-directed. It lived up to all my expectations, and I can’t wait to see what happens next with the series.

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