The Lion King (2019)

Disney has been dominating the decade with Marvel, Star Wars, animation (both Pixar and their titular studio), but their series that has divided people the most is their live-action remakes of animated classics. So people were most excited but also nervous when it came to the photoreal-but-actually-still-animated remake of their defining animated feature from the 20th century, The Lion King. First off, on a visual standpoint, this movie is an achievement. It follows the same reign of The Jungle Book in recreating iconic characters and setting to look as real as possible, and it really delivers. All the animals and sets look like an actual picture, even though not a single frame was actually there. It’s amazing to see how far visuals have gone these days, and Disney has been headliner these last few years in consistently breaking the boundaries of what can be done with a computer, whether it’s the amazing action in Avengers and Star Wars films or breathtaking animation in films like Toy Story and Incredibles — but the feats of the CGI completely pay off here in making the illusion unnoticable and making it feel like a more immersive journey. The film is perfectly casted with Donald Glover shining and making something of his own out of Simba’s role here, and it helps that he’s experienced in both acting and singing. Also huge standouts are Timon and Pumbaa, who are scene-stealing and Seth Rogen’s voice espeically fit for Pumbaa. Also worth pointing out is John Oliver who is hysterical as Zazu. However, for some characters, like Scar for example, it’s sometimes hard not to make comparisons to superior versions, like Jeremy Irons who was perfect in the 1994 version. Perhaps neither he nor James Earl Jones needed recasting (the latter of which was thankfully able to return as Mufasa). Speaking of roles from the original, Rafiki’s role was unfortuantely reduced this time around so he feels like less of a mentor to Simba and barely even has dialogue.

The musical numbers are still very fun, espeically the classic “Hakuna Matata”, and the “Lion Sleeps Tonight” gag is extended and made even funnier. The shame is that they shortened the Scar’s menacing anthem “Be Prepared” to be much slower but as a result feels more like a whispered spoken word poem than a song. The Lion King is stuck in a loophole in terms of delivering for fans because people want a remake to somehow reinvent the story but at the same time poeple get angry as soon as something major is changed. Unfortuantely, some of the changes made in this remake are for the worse, and other than that, a lot of sequences in the film or a shot-for-shot copy-paste of what we’ve already seen. A lot of the dialogue is the same as well, and I just wish they had added some more story to what we already know because the fact that we recognize every scene and line so well will eventually make things boring. On the bright side, it manages to retain some of the soul that reminds us why we love the original so much (themes like confronting your past or lines from Mufasa about the truth of being a wise king). The problem is that once these characters are animated to look photorealistic, they can no longer exaggerate emotions like the original iterations do — Scar is no longer a charismatic Shakespearean character, and every character just looks like an animal talking. This movie has incredible visual technology that deserves plenty of praise for Jon Favreau, maybe next time he could have used it to make original content rather than remaking known stories, or just added a little more that we haven’t seen before to do something new with the story.

The Lion King is a visual marvel and filled with nostaliga, but it’s greatest strength and weakness is that it’s almost exactly the same as the original. If the original Lion King was so perfect, why change anything? But why do we want to see the same movie over again? That’s the problem that this new remake finds itself in which is why despite being nice to look at, the script is beat for beat the same, which is why the only way this movie can really be appreciated is in 3D and on the biggest movie screen you can find. Does it offer much new? Not really, or even at all to be honest. But in terms of recommendation for the theaters I have to say go for the visuals and for the story which still stays strong, but the emotional expressions that came through the original versions of the characters (which didn’t need to feel photoreal and therefore could be exaggerated for animals) is exactly what will make the original Lion King forever superior.

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